Quac-train-tiny.jsonl

{"passage": "According to the Indian census of 2001, there were 30,803,747 speakers of Malayalam in Kerala, making up 93.2% of the total number of Malayalam speakers in India, and 96.7% of the total population of the state. There were a further 701,673 (2.1% of the total number) in Karnataka, 557,705 (1.7%) in Tamil Nadu and 406,358 (1.2%) in Maharashtra. The number of Malayalam speakers in Lakshadweep is 51,100, which is only 0.15% of the total number, but is as much as about 84% of the population of Lakshadweep. In all, Malayalis made up 3.22% of the total Indian population in 2001. Of the total 33,066,392 Malayalam speakers in India in 2001, 33,015,420 spoke the standard dialects, 19,643 spoke the Yerava dialect and 31,329 spoke non-standard regional variations like Eranadan. As per the 1991 census data, 28.85% of all Malayalam speakers in India spoke a second language and 19.64% of the total knew three or more languages.  Large numbers of Malayalis have settled in Bangalore, Mangalore, Delhi, Coimbatore, Hyderabad, Mumbai (Bombay), Ahmedabad, Pune, and Chennai (Madras). A large number of Malayalis have also emigrated to the Middle East, the United States, and Europe. Accessed November 22, 2014.</ref> including a large number of professionals. There were 7,093 Malayalam speakers in Australia in 2006. The 2001 Canadian census reported 7,070 people who listed Malayalam as their mother tongue, mostly in the Greater Toronto Area and Southern Ontario. In 2010, the Census of Population of Singapore reported that there were 26,348 Malayalees in Singapore. The 2006 New Zealand census reported 2,139 speakers. 134 Malayalam speaking households were reported in 1956 in Fiji. There is also a considerable Malayali population in the Persian Gulf regions, especially in Bahrain, Muscat, Doha, Dubai, Abu Dhabi, Kuwait and European region mainly in London.  World Malayalee Council, the organisation working with the Malayali diaspora across the Globe has embarked upon a project for making a data bank of the diaspora. CANNOTANSWER", "question": "question1: Where is Malayali located?\n answer : ?\nquestion2: What other languages are spoken there?\n answer : ?\nquestion3: What else is this place known for?\n answer : ?\nquestion4: Were they ever successful in doing this?\n answer : ?\nquestion5: Do they produce anything from here?\n answer : ?\nquestion6: Is this population still growing?\n answer : ?\nquestion7: Is the country thriving?\n answer : ?", "answer": "possible answers for question1:\n30,803,747 speakers of Malayalam in Kerala, making up 93.2% of the total number of Malayalam speakers in India,\npossible answers for question2:\n33,015,420 spoke the standard dialects, 19,643 spoke the Yerava dialect and 31,329 spoke non-standard regional variations like Eranadan.\npossible answers for question3:\nWorld Malayalee Council, the organisation working with the Malayali diaspora across the Globe has embarked upon a project for making a data bank of the diaspora.\npossible answers for question4:\nCANNOTANSWER\npossible answers for question5:\nCANNOTANSWER\npossible answers for question6:\nIn 2010, the Census of Population of Singapore reported that there were 26,348 Malayalees in Singapore.\npossible answers for question7:\nCANNOTANSWER"}
{"passage": "Malayalam is the language spoken by the Malayalis. Malayalam is derived from old Tamil and Sanskrit in the 6th century. For cultural purposes Malayalam and Sanskrit formed a language known as Manipravalam, where both languages were used in an alternating style. Malayalam is the only among the major Dravidian languages without diglossia. This means, that the Malayalam which is spoken does not differ from the written variant. Malayalam is written using the Malayalam script.  Malayalam literature is ancient in origin. The oldest literature works in Malayalam, distinct from the Tamil tradition, is dated between the 9th century and 11th century. Malayalam literature includes the 14th century Niranam poets (Madhava Panikkar, Sankara Panikkar and Rama Panikkar), whose works mark the dawn of both modern Malayalam language and indigenous Keralite poetry. The Triumvirate of poets (Kavithrayam: Kumaran Asan, Vallathol Narayana Menon and Ulloor S. Parameswara Iyer) are recognized for moving Keralite poetry away from archaic sophistry and metaphysics and towards a more lyrical mode. In 19th century Chavara Kuriakose Elias, the founder of Carmelites of Mary Immaculate and Congregation of Mother of Carmel congregations, contribute different streams in the Malayalam Literature. All his works are written between 1829 and 1870. Chavara's contribution  to Malayalam literature includes, Chronicles, Poems - athmanuthapam (compunction of the soul), Maranaveettil Paduvanulla Pana (Poem to sing in the bereaved house) and Anasthasiayude Rakthasakshyam - and other Literary works . In the second half of the 20th century, Jnanpith awardees like G. Sankara Kurup, S. K. Pottekkatt, Thakazhi Sivasankara Pillai and M. T. Vasudevan Nair and non Jnanpith awardees like Vaikom Muhammad Basheer have made valuable contributions to the Malayalam literature.  Later, such Keralite writers as O. V. Vijayan, Kamaladas, M. Mukundan, and Booker Prize winner Arundhati Roy, whose 1996 semi-autobiographical bestseller The God of Small Things is set in the Kottayam town of Ayemenem, have gained international recognition.  Kerala remains a fascinating riddle for the Indian diaspora, especially the younger generations - World Malayali Council with its sister organisation, International Institute for Scientific and Academic Collaboration (IISAC) has come out with a comprehensive book on Kerala titled 'Introduction to Kerala Studies,' specially intended for the Malayali diaspora across the globe. J.V. Vilanilam, former Vice-Chancellor of the University of Kerala; Sunny Luke, medical scientist and former professor of Medical Biotechnology at Adelphi University, New York; and Antony Palackal, professor of Sociology at the Loyola College of Social Sciences in Thiruvananthapuram, have edited the book, besides making other contributions to it. CANNOTANSWER", "question": "question1: what language do they speak?\n answer : ?\nquestion2: Do they speak any other languages?\n answer : ?\nquestion3: any literary items of interest?\n answer : ?\nquestion4: How old is their literature?\n answer : ?\nquestion5: were any of the poets listed by name?\n answer : ?\nquestion6: anything else of interest?\n answer : ?\nquestion7: any more recent literary works from them?\n answer : ?", "answer": "possible answers for question1:\nMalayalam is the language spoken by the Malayalis.\npossible answers for question2:\nMalayalam is derived from old Tamil and Sanskrit in the 6th century.\npossible answers for question3:\nMalayalam literature is ancient in origin. The oldest literature works in Malayalam, distinct from the Tamil tradition,\npossible answers for question4:\nThe oldest literature works in Malayalam, distinct from the Tamil tradition, is dated between the 9th century and 11th century. Malayalam literature includes the 14th century Niranam poets (\npossible answers for question5:\nMadhava Panikkar, Sankara Panikkar and Rama Panikkar), whose works mark the dawn of both modern Malayalam language and indigenous Keralite poetry.\npossible answers for question6:\nAll his works are written between 1829 and 1870. Chavara's contribution  to Malayalam literature includes, Chronicles, Poems - athmanuthapam (compunction of the soul),\npossible answers for question7:\n. In the second half of the 20th century, Jnanpith awardees like G. Sankara Kurup, S. K. Pottekkatt, Thakazhi Sivasankara Pillai and M. T. Vasudevan Nair and non Jnanpith"}
{"passage": "After the audition process and several guest vocalists on demos, the then 19-year-old Cove Reber was announced as their new permanent lead singer. Reber had sent in his demo tape, which was an acoustic demo with \"Mookie's Last Christmas\". The demo has since leaked onto the internet. It is widely speculated to have included a few songs from Translating the Name. When Beau Burchell first heard the demo, he thought it was Anthony playing a trick on them, as Reber's vocal stylings were very similar to those of Green's when the demo was originally recorded.  In an interview with PlayPro.com, Reber commented that \"everyone I've played with wants to make music their lives...Saosin is a band on a completely different level. All these dudes are freaks about music.\"  Reber's addition to the band was difficult, for the more experienced Green was the center piece of the band in the eyes of Saosin's fans. Many fans consider the time with Green to be something entirely different from the time with Reber. There are still distinct fans of both eras (Green Era/Reber Era) debating on which is a better fit for the band as a whole.  Saosin played the Taste of Chaos tour the following winter. Saosin was signed to Capitol Records in March and toured the United States with the Warped Tour for the second time. That summer, they released the Saosin EP. At first it was intended to be a free sampler, but Capitol Records would not allow this and released it as an EP. It contained demo versions of songs later recorded on their first full-length album. A video to their new single \"Bury Your Head\" was filmed during the tour. The band continued touring for the rest of 2005, opening for Avenged Sevenfold and Coheed and Cambria. CANNOTANSWER", "question": "question1: What do we know about Cove Reber?\n answer : ?\nquestion2: How did he get in?\n answer : ?\nquestion3: What was the first thing they did together with him in band?\n answer : ?\nquestion4: What happened after that?\n answer : ?\nquestion5: What was a single they released?\n answer : ?\nquestion6: Did they tour again?\n answer : ?\nquestion7: What record label were they signed to?\n answer : ?", "answer": "possible answers for question1:\n19-year-old Cove Reber was announced as their new permanent lead singer.\npossible answers for question2:\nReber had sent in his demo tape,\npossible answers for question3:\nSaosin played the Taste of Chaos tour the following winter. Saosin was signed to Capitol Records in March and toured the United States with the Warped Tour\npossible answers for question4:\nThat summer, they released the Saosin EP.\npossible answers for question5:\n\"Bury Your Head\"\npossible answers for question6:\nThe band continued touring for the rest of 2005, opening for Avenged Sevenfold and Coheed and Cambria.\npossible answers for question7:\nCapitol Records"}
{"passage": "The original lineup for Saosin, consisting of Burchell, Shekoski, Kennedy and Green, was formed in the summer of 2003. On June 17, the band released their first commercial production, the EP Translating the Name. It was an immediate success and was immensely popular on online forums and music sites. Saosin first became popular through promotion and exposure through the Internet. They became known for their distinct musical styles long before their first studio-length album was released, and were popularized on social networking and music sites such as MySpace. The E.P. has sold an estimated 62,000 copies.  Bassist Zach Kennedy left the band early on, as he wanted to pursue a career in art. He was later replaced by Chris Sorenson. A local Southern Califonian drummer by the name of Pat Magrath,  was hired only for the recording for the EP, according to Burchell. The band was impressed with his drumming skills however, and he later appeared as a guest performing Lost Symphonies live with the band. Alex Rodriguez was unable to record Translating the Name as he had promised his band at the time Open Hand he would finish recording with them. Danny King filled in for live drums with the band before Rodriguez completed his responsibilities with Open Hand and joined Saosin full-time after the EP release. Saosin went on a U.S. tour with bands Boys Night Out and Anatomy of a Ghost shortly after the release of Translating the Name.  In February 2004, the band's vocalist Anthony Green left Saosin and later formed the band Circa Survive. Green was homesick, depressed and said he was missing his family. Green was also disenchanted with the direction of Saosin and disliked that the band excluded him from the writing process. The band finished their Warped Tour obligations with Story of the Year's Philip Sneed taking the mic. A public, nationwide audition then took place. CANNOTANSWER", "question": "question1: Who formed Saosin?\n answer : ?\nquestion2: When was the band founded?\n answer : ?\nquestion3: What was their first album?\n answer : ?\nquestion4: Where was the album released?\n answer : ?\nquestion5: How did the album do?\n answer : ?\nquestion6: Did anyone leave the band?\n answer : ?\nquestion7: Why did he leave?\n answer : ?\nquestion8: Did anyone else leave?\n answer : ?\nquestion9: Did anyone join them during this time?\n answer : ?\nquestion10: Did anyone else join?\n answer : ?", "answer": "possible answers for question1:\noriginal lineup for Saosin, consisting of Burchell, Shekoski, Kennedy and Green,\npossible answers for question2:\nformed in the summer of 2003.\npossible answers for question3:\nfirst commercial production, the EP Translating the Name.\npossible answers for question4:\non online forums and music sites.\npossible answers for question5:\nIt was an immediate success and was immensely popular on online forums and music sites.\npossible answers for question6:\nBassist Zach Kennedy left the band early on,\npossible answers for question7:\nhe wanted to pursue a career in art.\npossible answers for question8:\nIn February 2004, the band's vocalist Anthony Green left Saosin\npossible answers for question9:\nChris Sorenson.\npossible answers for question10:\nlocal Southern Califonian drummer by the name of Pat Magrath,  was hired"}
{"passage": "In 1996, Coolio appeared on the Red Hot Organization's compilation CD America is Dying Slowly, alongside Biz Markie, Wu-Tang Clan, and Fat Joe, among many other prominent hip-hop artists. The CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as \"a masterpiece\" by The Source magazine. That same year, he recorded the theme song and appeared in the opening sequence of the Nickelodeon TV series Kenan & Kel which ran for four seasons.  After the success of Gangsta's Paradise, Coolio's next album was expected to be another hit. His third solo album titled My Soul, came out in 1997. Although it contained the major hit \"C U When U Get There\" and the album went platinum, it failed to reach the success of his previous two albums. Coolio was dropped from Tommy Boy Records and his albums since then, 2001's Coolio.com, 2003's El Cool Magnifico, 2006's The Return of the Gangsta, and 2008's Steal Hear, have not charted on any Billboard chart. He did have a minor hit in the UK in 2006 with \"Gangsta Walk\" (featuring Snoop Dogg), which peaked at #67 on the UK pop chart.  While touring with hip hop duo Insane Clown Posse, Coolio received a tattoo as a homage to the group's fanbase, reading \"Jugalo Cool\" [sic]. He stated that the misspelling was intentional. Coolio has performed at the Gathering of the Juggalos.  Coolio was featured on an international collaboration track called 'Fuck the DJ' by UK rapper Blacklisted MC also featuring Bizarre of D12, Adil Omar (from Pakistan) and Uzimon (from Bermuda) the song was premiered on music website Noisey from Vice in October 2014. CANNOTANSWER", "question": "question1: How was he associated to Tommy Boy?\n answer : ?\nquestion2: Why was he dropped from Tommy Boy Records?\n answer : ?\nquestion3: How was he associated with Red Hot Organization?\n answer : ?\nquestion4: What year did he appear on Red Hot Organization?\n answer : ?\nquestion5: Why did he join Red Hot Organization ?\n answer : ?\nquestion6: Who did he join after leaving Red Hot Organization and Tommy Boy Record?\n answer : ?\nquestion7: Did he make any other sound tracks?\n answer : ?\nquestion8: Was there anyone else who features in the music?\n answer : ?", "answer": "possible answers for question1:\nCoolio was dropped from Tommy Boy Records\npossible answers for question2:\nit failed to reach the success of his previous two albums.\npossible answers for question3:\nCoolio appeared on the Red Hot Organization's compilation CD America is Dying Slowly,\npossible answers for question4:\nIn 1996,\npossible answers for question5:\nThe CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as \"a masterpiece\" by The Source magazine.\npossible answers for question6:\nsince then, 2001's Coolio.com, 2003's El Cool Magnifico, 2006's The Return of the Gangsta, and 2008's Steal Hear, have not charted on any Billboard chart.\npossible answers for question7:\n2001's Coolio.com, 2003's El Cool Magnifico, 2006's The Return of the Gangsta, and 2008's Steal Hear,\npossible answers for question8:\nCANNOTANSWER"}
{"passage": "In 1995, Coolio made a song featuring R&B singer LV for the movie Dangerous Minds, titled \"Gangsta's Paradise\". It would become one of the most successful rap songs of all time, reaching #1 on the Billboard Hot 100 for 3 weeks. It was the #1 single of 1995 for all genres, and was a global hit, as it reached #1 in the United States, United Kingdom, Ireland, France, Germany, Italy, Sweden, Austria, Netherlands, Norway, Switzerland, Australia, and New Zealand. The song also created a controversy when Coolio claimed that parody artist \"Weird Al\" Yankovic had not asked for permission to make his parody of \"Gangsta's Paradise\", titled \"Amish Paradise\". At the 1996 Grammy Awards, the song won Coolio a Grammy for Best Rap Solo Performance.  Originally \"Gangsta's Paradise\" was not meant to be included on one of Coolio's studio albums, but its success led to Coolio not only putting it on his next album but also making it the title track. The title track sampled the chorus and music of the song \"Pastime Paradise\" by Stevie Wonder, which was recorded nearly 20 years earlier on Stevie Wonder's album Songs in the Key of Life. The album Gangsta's Paradise was released in 1995 and was certified 2X Platinum by the RIAA. The album contained two other major hits in \"1, 2, 3, 4 (Sumpin' New)\" and \"Too Hot\" with J.T. Taylor of Kool & the Gang doing the chorus. Despite no longer being an official member of the group, Coolio made an appearance on the second WC and the Maad Circle album Curb Servin', on the song \"In a Twist\". In 1996, Coolio had another top 40 hit with the song \"It's All the Way Live (Now)\" from the soundtrack to the movie Eddie. He was also featured on the song \"Hit 'em High\" from the soundtrack to the movie Space Jam with B-Real, Method Man, LL Cool J, and Busta Rhymes.  In 2014, the band Falling in Reverse did a cover of \"Gangster's Paradise\" for \"Punk Goes 90's\", with Coolio making a cameo in the music video. CANNOTANSWER", "question": "question1: What was the relationship between Coolio and Gangsta's parapdise?\n answer : ?\nquestion2: WHen was the song released?\n answer : ?\nquestion3: Which record label release the song?\n answer : ?\nquestion4: Did the song have a high sales?\n answer : ?\nquestion5: Did he wind any award?\n answer : ?\nquestion6: Which other names were mention n the song?\n answer : ?\nquestion7: What was their contribution to the song?\n answer : ?\nquestion8: Which other song did he make?\n answer : ?", "answer": "possible answers for question1:\nCoolio made a song featuring R&B singer LV for the movie Dangerous Minds, titled \"Gangsta's Paradise\npossible answers for question2:\nIn 1995,\npossible answers for question3:\nRIAA.\npossible answers for question4:\nIt would become one of the most successful rap songs of all time, reaching #1 on the Billboard Hot 100 for 3 weeks.\npossible answers for question5:\nAt the 1996 Grammy Awards, the song won Coolio a Grammy for Best Rap Solo Performance.\npossible answers for question6:\nToo Hot\" with J.T. Taylor of Kool & the Gang doing the chorus.\npossible answers for question7:\nJ.T. Taylor of Kool & the Gang doing the chorus.\npossible answers for question8:\nSumpin' New"}
{"passage": "1964's The Brave and the Bold #54 introduces a junior version of the Justice League of America; an all-star superhero team of which Batman was a part. This team is led by the modern-day Robin, residing on Earth-One, and was joined by two other teenage sidekicks, Aqualad (sidekick of Aquaman) and Kid Flash (sidekick of the Flash), to stop the menace of Mr. Twister.  Later, the three sidekicks join forces with Speedy and Wonder Girl in order to free their mentors in the JLA from mind-controlled thrall. They decide to become a real team: the Teen Titans. By virtue of the tactical skills gleaned from Batman, Robin is swiftly recognized as leader before the Titans disband some years later.  In 1969, still in the Pre-Crisis continuity, writer Dennis O'Neil and artist Neal Adams return Batman to his darker roots. One part of this effort is writing Robin out of the series by sending Dick Grayson to Hudson University and into a separate strip in the back of Detective Comics. The by-now Teen Wonder appears only sporadically in Batman stories of the 1970s as well as a short lived revival of The Teen Titans.  In 1980, Grayson once again takes up the role of leader of the Teen Titans, now featured in the monthly series The New Teen Titans, which became one of DC Comics's most beloved series of the era. During his leadership of the Titans, however, he had a falling out with Batman, leading to an estrangement that would last for many years. CANNOTANSWER", "question": "question1: What role did he play in Teen Titans?\n answer : ?\nquestion2: Does he have super powers?\n answer : ?\nquestion3: How many years did the show last?\n answer : ?\nquestion4: Who was the creator of Teen Titans?\n answer : ?", "answer": "possible answers for question1:\nIn 1980, Grayson once again takes up the role of leader of the Teen Titans,\npossible answers for question2:\nCANNOTANSWER\npossible answers for question3:\nCANNOTANSWER\npossible answers for question4:\nCANNOTANSWER"}
{"passage": "Leadon was born in Minneapolis, one of ten siblings, to Dr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon, devout Roman Catholics. His father was an aerospace engineer and nuclear physicist whose career moved the family around the U.S. The family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music. He eventually mastered the 5-string banjo, mandolin and acoustic guitar.  As a young teen he moved with his family to San Diego, where he met fellow musicians Ed Douglas and Larry Murray of the local bluegrass outfit, the Scottsville Squirrel Barkers. The Barkers proved a breeding ground for future California country rock talent, including shy, 18-year-old mandolin player Chris Hillman, with whom Leadon maintained a lifelong friendship. Augmented by banjo player (and future Flying Burrito Brother) Kenny Wertz, the Squirrel Barkers eventually asked Leadon to join the group, upon Wertz's joining the Air Force in 1963.  His stint in the Scottsville Squirrel Barkers did not last long. In late 1963, his family once again relocated to Gainesville, Florida, when his father accepted a position as Professor of Aerospace Engineering at the University of Florida. Leadon attended Gainesville High School, where he met classmate and future Eagles lead guitarist Don Felder, whose band, the Continentals, had just lost guitarist Stephen Stills. Upon Leadon's joining the group, rechristened Maundy Quintet, they gigged locally, even sharing the bill with future Gainesville legend Tom Petty and his early band the Epics (a band that also included Bernie's brother, musician Tom Leadon).  A call from ex-Squirrel Barker Larry Murray in 1967, to join his fledgling psychedelic country-folk group, Hearts & Flowers, was enticing enough for Leadon to return to California, where he soon became involved with the burgeoning L.A. folk/country rock scene. Leadon recorded one album with the band, their second release Of Horses, Kids, and Forgotten Women for Capitol Records. The record was a local hit but failed to make much of a dent on the national album charts. Discouraged, the group disbanded the following year. CANNOTANSWER", "question": "question1: Where was Bernie born?\n answer : ?\nquestion2: Who were his parents?\n answer : ?\nquestion3: Did he have siblings?\n answer : ?\nquestion4: How was his childhood?\n answer : ?\nquestion5: Did he start music at this point?\n answer : ?\nquestion6: What instruments did he play?\n answer : ?\nquestion7: Did he sing also?\n answer : ?\nquestion8: What gigs did he do?\n answer : ?", "answer": "possible answers for question1:\nLeadon was born in Minneapolis,\npossible answers for question2:\nDr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon,\npossible answers for question3:\none of ten siblings,\npossible answers for question4:\nAs a young teen he moved with his family to San Diego, where he met fellow musicians Ed Douglas and Larry Murray of the local bluegrass outfit,\npossible answers for question5:\nThe family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music.\npossible answers for question6:\n5-string banjo, mandolin and acoustic guitar.\npossible answers for question7:\nCANNOTANSWER\npossible answers for question8:\nHis stint in the Scottsville Squirrel Barkers did not last long."}
{"passage": "Leadon was the last original member to join the Eagles, a band initially formed by guitarist/singer Glenn Frey, drummer/singer Don Henley, and former Poco bassist/singer Randy Meisner. Leadon is often credited with helping shape the band's early country-rock sound, bringing his strong sense of harmony as well as his country, bluegrass and acoustic sensibilities to the group. Instruments he played during his tenure in the band were electric guitar, B-Bender, acoustic guitar, banjo, mandolin, dobro and pedal steel guitar.  Upon the release of their debut album, Eagles, the group met with near instantaneous success, due largely to the strength of their hit singles, \"Take It Easy\", \"Peaceful Easy Feeling\" and \"Witchy Woman\" (co-written by Leadon and Henley), all of which highlighted Leadon's multi-instrumental talent on electric guitar, B-Bender, banjo, and harmony vocals. Their follow-up, Desperado, was another strong country-rock venture highlighted by the classics \"Tequila Sunrise\" and the title track. Leadon had a prominent role on the album, but it was met by surprisingly lukewarm reviews and lackluster sales. As a result, the band attempted to distance itself from the \"country rock\" label for their third album On the Border. In doing so, Leadon encouraged the group to recruit his old friend, guitarist Don Felder, to the band. The result was the guitar-heavy top ten hit \"Already Gone\". The album also included \"My Man\", Leadon's touching tribute to his old bandmate and friend, Gram Parsons, who had died of a drug overdose the year prior at Joshua Tree National Monument in southeastern California.  With the wild success of On the Border and its follow-up smash, One of These Nights, tension within the band grew, as Leadon grew increasingly frustrated by the band's direction away from his beloved country and bluegrass and toward album-oriented stadium rock. He famously quit the band in 1975 by pouring a beer over Glenn Frey's head. He later cited a need to get healthy and break the vicious cycle of touring, recording and heavy drug use that was rampant within the band.  Upon his departure, Asylum Records released Their Greatest Hits (1971-1975), which highlighted the band's Leadon years and went on to become the biggest-selling album of all time for sales in excess of 42 million units, awarded to the band members by the RIAA. He was replaced by former James Gang guitarist/singer, Joe Walsh.  Although it has long been believed that he left because he was dissatisfied with the band moving into rock and roll, Leadon denies it and said in 2013: \"That's an oversimplification; it implies that I had no interest in rock or blues or anything but country rock. That's just not the case. I didn't just play Fender Telecaster. I played a Gibson Les Paul and I enjoyed rock & roll. That's evident from the early albums.\" CANNOTANSWER", "question": "question1: When did he join the Eagles?\n answer : ?\nquestion2: How many members were there?\n answer : ?\nquestion3: Did they win any awards?\n answer : ?\nquestion4: Did you learn anything else interesting in the article?\n answer : ?\nquestion5: What albums did they produce?\n answer : ?\nquestion6: Did they have any hit songs?\n answer : ?\nquestion7: Did they have any more hit songs?\n answer : ?\nquestion8: Was there any more hit songs?\n answer : ?\nquestion9: Did the song win any awards or records?\n answer : ?", "answer": "possible answers for question1:\nLeadon was the last original member to join the Eagles,\npossible answers for question2:\nCANNOTANSWER\npossible answers for question3:\nCANNOTANSWER\npossible answers for question4:\nLeadon is often credited with helping shape the band's early country-rock sound,\npossible answers for question5:\ntheir debut album, Eagles,\npossible answers for question6:\nhit singles, \"Take It Easy\", \"Peaceful Easy Feeling\" and \"Witchy Woman\" (\npossible answers for question7:\n\"Tequila Sunrise\"\npossible answers for question8:\nguitar-heavy top ten hit \"Already Gone\npossible answers for question9:\nCANNOTANSWER"}
{"passage": "The book for which Thompson gained most of his fame had its genesis during the research for Strange Rumblings in Aztlan, an expose for Rolling Stone on the 1970 killing of the Mexican-American television journalist Ruben Salazar. Salazar had been shot in the head at close range with a tear gas canister fired by officers of the Los Angeles County Sheriff's Department during the National Chicano Moratorium March against the Vietnam War. One of Thompson's sources for the story was Oscar Zeta Acosta, a prominent Mexican-American activist and attorney. Finding it difficult to talk in the racially tense atmosphere of Los Angeles, Thompson and Acosta decided to travel to Las Vegas, and take advantage of an assignment by Sports Illustrated to write a 250-word photograph caption on the Mint 400 motorcycle race held there.  What was to be a short caption quickly grew into something else entirely. Thompson first submitted to Sports Illustrated a manuscript of 2,500 words, which was, as he later wrote, \"aggressively rejected.\" Rolling Stone publisher Jann Wenner was said to have liked \"the first 20 or so jangled pages enough to take it seriously on its own terms and tentatively scheduled it for publication -- which gave me the push I needed to keep working on it\", Thompson later wrote.  The result of the trip to Las Vegas became the 1972 book Fear and Loathing in Las Vegas, which first appeared in the November 1971 issues of Rolling Stone as a two-part series. It is written as a first-person account by a journalist named Raoul Duke on a trip to Las Vegas with Dr. Gonzo, his \"300-pound Samoan attorney\", to cover a narcotics officers' convention and the \"fabulous Mint 400\". During the trip, Duke and his companion (always referred to as \"my attorney\") become sidetracked by a search for the American Dream, with \"two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers ... and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether, and two dozen amyls.\"  Coming to terms with the failure of the 1960s countercultural movement is a major theme of the novel, and the book was greeted with considerable critical acclaim, including being heralded by The New York Times as \"by far the best book yet written on the decade of dope\". \"The Vegas Book\", as Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public. CANNOTANSWER", "question": "question1: What is Fear and Loathing in Las Vegas?\n answer : ?\nquestion2: Did it do well?\n answer : ?\nquestion3: Did he write it in Vegas?\n answer : ?\nquestion4: who published the book?\n answer : ?\nquestion5: Did anyone reject it?\n answer : ?\nquestion6: what is the book about?\n answer : ?\nquestion7: Why do they go to Vegas?\n answer : ?\nquestion8: Did it get good reviews?\n answer : ?\nquestion9: Who gave it good reviews?\n answer : ?\nquestion10: What did the New York Times say?\n answer : ?", "answer": "possible answers for question1:\nThe result of the trip to Las Vegas became the 1972 book Fear and Loathing in Las Vegas,\npossible answers for question2:\nthe book was greeted with considerable critical acclaim, including being heralded by The New York Times as \"by far the best book yet\npossible answers for question3:\nCANNOTANSWER\npossible answers for question4:\nthe 1972 book Fear and Loathing in Las Vegas, which first appeared in the November 1971 issues of Rolling Stone as a two-part series.\npossible answers for question5:\nThompson first submitted to Sports Illustrated a manuscript of 2,500 words, which was, as he later wrote, \"aggressively rejected.\npossible answers for question6:\nIt is written as a first-person account by a journalist named Raoul Duke on a trip to Las Vegas with Dr. Gonzo, his \"300-pound Samoan attorney\",\npossible answers for question7:\nCANNOTANSWER\npossible answers for question8:\nThompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public.\npossible answers for question9:\nbook was greeted with considerable critical acclaim, including being heralded by The New York Times\npossible answers for question10:\nThe New York Times as \"by far the best book yet written on the decade of dope\"."}
{"passage": "Following the success of Hell's Angels, Thompson was able to publish articles in a number of well-known magazines during the late 1960s, including The New York Times Magazine, Esquire, Pageant, and Harper's. In the Times Magazine article, published in 1967, shortly before the \"Summer of Love\", and titled \"The Hashbury is the Capital of the Hippies\", Thompson wrote in-depth about the Hippies of San Francisco, deriding a culture that began to lack the political convictions of the New Left and the artistic core of the Beats, instead becoming overrun with newcomers lacking any purpose other than obtaining drugs. It was an observation on the 1960s' counterculture that Thompson would further examine in Fear and Loathing in Las Vegas and other articles.  By late 1967, Thompson and his family moved back to Colorado and rented a house in Woody Creek, a small mountain hamlet outside Aspen. In early 1969, Thompson finally received a $15,000 royalty check for the paperback sales of Hell's Angels and used two-thirds of the money for a down payment on a modest home and property where he would live for the rest of his life. He named the house Owl Farm and often described it as his \"fortified compound.\"  In early 1968, Thompson signed the \"Writers and Editors War Tax Protest\" pledge, vowing to refuse tax payments in protest against the Vietnam War. According to Thompson's letters and his later writings, at this time he planned to write a book called The Joint Chiefs about \"the death of the American Dream.\" He used a $6,000 advance from Random House to travel on the 1968 Presidential campaign trail and attend the 1968 Democratic Convention in Chicago for research purposes. From his hotel room in Chicago, Thompson watched the clashes between police and protesters, which he wrote had a great effect on his political views. The book was never finished, and the theme of the death of the American dream would be carried over into his later work. The contract with Random House was eventually fulfilled with the 1972 book Fear and Loathing in Las Vegas. He also signed a deal with Ballantine Books in 1968 to write a satirical book called The Johnson File about Lyndon B. Johnson. A few weeks after the contract was signed, however, Johnson announced that he would not run for re-election, and the deal was cancelled. CANNOTANSWER", "question": "question1: when did his career take off?\n answer : ?\nquestion2: did he have any children?\n answer : ?\nquestion3: did he retire from his career?\n answer : ?\nquestion4: was he involved in politics?\n answer : ?\nquestion5: Did he ever win any awards or recognition?\n answer : ?\nquestion6: did he ever work with any one famous?\n answer : ?\nquestion7: Are there any other interesting aspects about this article?\n answer : ?\nquestion8: where there any conflicts in his career?\n answer : ?\nquestion9: did he ever switch careers or leave any unfinished work?\n answer : ?\nquestion10: where was he born?\n answer : ?", "answer": "possible answers for question1:\nThompson was able to publish articles in a number of well-known magazines during the late 1960s,\npossible answers for question2:\nThompson and his family\npossible answers for question3:\nJohnson. A few weeks after the contract was signed, however, Johnson announced that he would not run for re-election, and the deal was cancelled.\npossible answers for question4:\ntravel on the 1968 Presidential campaign trail and attend the 1968 Democratic Convention in Chicago for research purposes.\npossible answers for question5:\nCANNOTANSWER\npossible answers for question6:\nCANNOTANSWER\npossible answers for question7:\nThompson signed the \"Writers and Editors War Tax Protest\" pledge, vowing to refuse tax payments in protest against the Vietnam War.\npossible answers for question8:\nThe book was never finished, and the theme of the death of the American dream would be carried over into his later work.\npossible answers for question9:\nThe book was never finished,\npossible answers for question10:\nCANNOTANSWER"}
{"passage": "Pinochet and his government have been characterised as fascist. For example, journalist and author Samuel Chavkin, in his book Storm Over Chile: The Junta Under Siege, repeatedly characterizes both Pinochet himself and the military dictatorship as fascist.  However, he and his government are generally excluded from academic typologies of fascism. Roger Griffin included Pinochet in a group of pseudo-populist despots distinct from fascism and including the likes of Saddam Hussein, Suharto, and Ferdinand Marcos. He argues that such regimes may be considered populist ultra-nationalism but lack the rhetoric of national rebirth, or palingenesis, necessary to make them conform to the model of palingenetic ultranationalism. Robert Paxton meanwhile compared Pinochet's regime to that of Mobutu Sese Seko in the former Zaire (now Democratic Republic of the Congo), arguing that both were merely client states that lacked popular acclaim and the ability to expand. He further argued that had Pinochet attempted to build true fascism, the regime would likely have been toppled or at least been forced to alter its relationship to the United States. Anna Cento Bull also excluded Pinochet from fascism, although she has argued that his regime belongs to a strand of Cold War anti-communism that was happy to accommodate neo-fascist elements within its activity.  World Fascism: a Historical Encyclopedia notes that \"Although he was authoritarian and ruled dictatorially, Pinochet's support of neoliberal economic policies and his unwillingness to support national businesses distinguished him from classical fascists.\"  Historian Gabriel Salazar stated that Pinochet's establishment cult of personality around him was a fascist tactic:  It is notable that in all the declarations of Pinochet's men, nobody has mentioned the creators of the new Chilean society and state, I haven't heard anybody mention Jaime Guzman, Carlos Caceres, Hernan Buchi, Sergio de Castro. There is no mention of the true brains, or that the whole of the armed forces were involved in this, in dirty and symbolic tasks. Everything is embodied in Pinochet, it's very curious that figures of the stature of Buchi are immolated before the figure of Pinochet, in what is to me a fascist rite, give everything to the Fuhrer, \"I did it, but ultimately it was him\". CANNOTANSWER", "question": "question1: What were the accusations?\n answer : ?\nquestion2: What he accused of being a fascist?\n answer : ?\nquestion3: Was there conflict because of his views?\n answer : ?\nquestion4: Did he have many followers?\n answer : ?\nquestion5: Is there something else interesting to know?\n answer : ?", "answer": "possible answers for question1:\nGriffin included Pinochet in a group of pseudo-populist despots distinct from fascism and including the likes of Saddam Hussein, Suharto, and Ferdinand Marcos.\npossible answers for question2:\nPinochet attempted to build true fascism, the regime would likely have been toppled or at least been forced to alter its relationship to the United States.\npossible answers for question3:\nAnna Cento Bull also excluded Pinochet from fascism, although she has argued that his regime belongs to a strand of Cold War anti-communism\npossible answers for question4:\nCANNOTANSWER\npossible answers for question5:\nIt is notable that in all the declarations of Pinochet's men, nobody has mentioned the creators of the new Chilean society and state,"}
{"passage": "Emerson was born in Boston, Massachusetts, on May 25, 1803, a son of Ruth Haskins and the Rev. William Emerson, a Unitarian minister. He was named after his mother's brother Ralph and his father's great-grandmother Rebecca Waldo. Ralph Waldo was the second of five sons who survived into adulthood; the others were William, Edward, Robert Bulkeley, and Charles. Three other children--Phebe, John Clarke, and Mary Caroline--died in childhood. Emerson was entirely of English ancestry, and his family had been in New England since the early colonial period.  Emerson's father died from stomach cancer on May 12, 1811, less than two weeks before Emerson's eighth birthday. Emerson was raised by his mother, with the help of the other women in the family; his aunt Mary Moody Emerson in particular had a profound effect on him. She lived with the family off and on and maintained a constant correspondence with Emerson until her death in 1863.  Emerson's formal schooling began at the Boston Latin School in 1812, when he was nine. In October 1817, at 14, Emerson went to Harvard College and was appointed freshman messenger for the president, requiring Emerson to fetch delinquent students and send messages to faculty. Midway through his junior year, Emerson began keeping a list of books he had read and started a journal in a series of notebooks that would be called \"Wide World\". He took outside jobs to cover his school expenses, including as a waiter for the Junior Commons and as an occasional teacher working with his uncle Samuel and aunt Sarah Ripley in Waltham, Massachusetts. By his senior year, Emerson decided to go by his middle name, Waldo. Emerson served as Class Poet; as was custom, he presented an original poem on Harvard's Class Day, a month before his official graduation on August 29, 1821, when he was 18. He did not stand out as a student and graduated in the exact middle of his class of 59 people.  In 1826, faced with poor health, Emerson went to seek a warmer climate. He first went to Charleston, South Carolina, but found the weather was still too cold. He then went further south, to St. Augustine, Florida, where he took long walks on the beach and began writing poetry. While in St. Augustine he made the acquaintance of Prince Achille Murat, the nephew of Napoleon Bonaparte. Murat was two years his senior; they became good friends and enjoyed one another's company. The two engaged in enlightening discussions of religion, society, philosophy, and government. Emerson considered Murat an important figure in his intellectual education.  While in St. Augustine, Emerson had his first encounter with slavery. At one point, he attended a meeting of the Bible Society while a slave auction was taking place in the yard outside. He wrote, \"One ear therefore heard the glad tidings of great joy, whilst the other was regaled with 'Going, gentlemen, going!'\" CANNOTANSWER", "question": "question1: What year was he born ?\n answer : ?\nquestion2: Who was his father ?\n answer : ?\nquestion3: Was he the only child of his parent ?\n answer : ?\nquestion4: What school did he attended ?\n answer : ?", "answer": "possible answers for question1:\nMay 25, 1803,\npossible answers for question2:\nJohn Clarke,\npossible answers for question3:\nCANNOTANSWER\npossible answers for question4:\nCANNOTANSWER"}
{"passage": "Hackett starred as the title character on NBC-TV's Stanley, a 1956-57 situation comedy which ran for 19 weeks on Monday evenings at 8:30 pm EST. The half-hour series also featured a young Carol Burnett and the voice of Paul Lynde. The Max Liebman produced program aired live before a studio audience and was one of the last sitcoms from New York to do so. Stanley revolved around the adventures of the titular character (Hackett) as the operator of a newsstand in a posh New York City hotel. On September 30, 1960, he appeared as himself in an episode of NBC's short-lived crime drama Dan Raven, starring Skip Homeier, set on the Sunset Strip of West Hollywood.  After starring on Broadway in I Had a Ball, Hackett appeared opposite Robert Preston in the film adaptation of The Music Man (1962). In It's a Mad, Mad, Mad, Mad World (1963), Hackett was paired with Mickey Rooney, with whom he had also recently made Everything's Ducky (1961), in which they played two sailors who smuggle a talking duck aboard a Navy ship. Children became familiar with him as lovable hippie auto mechanic Tennessee Steinmetz in Disney's The Love Bug (1969).  He appeared many times on the game show Hollywood Squares in the late 1960s. In one episode, Hackett was asked which was the country with the highest ratio of doctors to populace; he answered Israel, or in his words, \"The country with the most Jews.\" Despite the audience roaring with laughter (and Hackett's own belief that the actual answer was Sweden), the answer turned out to be correct. Hackett's regular guest shots on Jack Paar's Tonight Show in the early 1960s were rewarded with a coveted appearance on Paar's final Tonight program on March 29, 1962. CANNOTANSWER", "question": "question1: Was Stanley a character he played?\n answer : ?\nquestion2: What was the show about?\n answer : ?\nquestion3: Are there any other interesting aspects about this article?\n answer : ?\nquestion4: What was that about?\n answer : ?\nquestion5: Does the article mention anything else he starred in?\n answer : ?\nquestion6: Was he on any other shows?\n answer : ?\nquestion7: Did that show do well?\n answer : ?\nquestion8: Was Stanley a comedy?\n answer : ?\nquestion9: Did he mainly only do comedy shows?\n answer : ?\nquestion10: Was this the only game show he was on?\n answer : ?\nquestion11: Any other significant things he worked on?\n answer : ?\nquestion12: Was he well received?\n answer : ?", "answer": "possible answers for question1:\nHackett starred as the title character on NBC-TV's Stanley, a 1956-57\npossible answers for question2:\nThe half-hour series also featured a young Carol Burnett and the voice of Paul Lynde.\npossible answers for question3:\nOn September 30, 1960, he appeared as himself in an episode of NBC's short-lived crime drama Dan Raven, starring Skip Homeier, set on the Sunset Strip of West Hollywood.\npossible answers for question4:\nCANNOTANSWER\npossible answers for question5:\nAfter starring on Broadway in I Had a Ball, Hackett appeared opposite Robert Preston in the film adaptation of The Music Man\npossible answers for question6:\nIn It's a Mad, Mad, Mad, Mad World (1963),\npossible answers for question7:\nCANNOTANSWER\npossible answers for question8:\nStanley, a 1956-57 situation comedy\npossible answers for question9:\nHe appeared many times on the game show Hollywood Squares in the late 1960s.\npossible answers for question10:\nHackett's regular guest shots on Jack Paar's Tonight Show in the early 1960s\npossible answers for question11:\ncoveted appearance on Paar's final Tonight program on March 29, 1962.\npossible answers for question12:\nDespite the audience roaring with laughter (and Hackett's own belief that the actual answer was Sweden), the answer turned out to be correct."}
{"passage": "Hackett's first job after the war was at the Pink Elephant, a Brooklyn club. It was here that he changed his name from Leonard Hacker to Buddy Hackett. He made appearances in Los Angeles and Las Vegas, and continued to perform in the Catskills. He acted on Broadway, in Lunatics and Lovers, where Max Liebman saw him and put him in two television specials.  Hackett's movie career began in 1950 with a 10-minute \"World of Sports\" reel for Columbia Pictures called King of the Pins. The film demonstrated championship bowling techniques, with expert Joe Wilman demonstrating the right way and Hackett (in pantomime) exemplifying the wrong way. Hackett would not return to movies until 1953, after one of his nightclub routines attracted attention. With a rubber band around his head to slant his eyes, Hackett's \"The Chinese Waiter\" lampooned the heavy dialect, frustration, and communication problems encountered by a busy waiter in a Chinese restaurant: \"No, we no have sprit-pea soup ... We gotta wonton, we got eh-roll ... No orda for her, juss orda for you!\" The routine was such a hit that Hackett made a recording of it, and was hired to reprise it in the Universal-International musical Walking My Baby Back Home (1953), in which he was third-billed under Donald O'Connor and Janet Leigh.  Hackett was an emergency replacement for the similarly built Lou Costello in 1954. Abbott and Costello were set to make a feature-length comedy Fireman, Save My Child, featuring Spike Jones and His City Slickers. Several scenes had been shot with stunt doubles when Lou Costello was forced to withdraw due to illness. Universal-International salvaged the project by hiring Hugh O'Brian and Hackett to take over the Abbott and Costello roles, using already shot footage of the comedy duo in some long shots; Jones and his band became the main attraction.  Hackett became known to a wider audience when he appeared on television in the 1950s and '60s as a frequent guest on variety talk shows hosted by Jack Paar and Arthur Godfrey, telling brash, often off-color jokes, and mugging at the camera. Hackett was a frequent guest on both the Jack Paar and the Johnny Carson versions of The Tonight Show. According to the board game Trivial Pursuit, Hackett has the distinction of making the most guest appearances in the history of The Tonight Show Starring Johnny Carson. During this time, he also appeared as a panelist and mystery guest on CBS-TV's What's My Line? and filled in as emcee for the game show Treasure Hunt. He made fifteen guest appearances on NBC-TV's The Perry Como Show between 1955 and 1961. CANNOTANSWER", "question": "question1: What was his first job?\n answer : ?\nquestion2: Are there any other interesting aspects about this article?\n answer : ?\nquestion3: Was it well received?\n answer : ?\nquestion4: What caused his come back?\n answer : ?\nquestion5: Did he have any flops?\n answer : ?\nquestion6: did he have any other castings in his early career?\n answer : ?\nquestion7: Did he appear on any other shows?\n answer : ?\nquestion8: What type of talk shows?\n answer : ?\nquestion9: Was this a talk show he appear on frequently?\n answer : ?\nquestion10: any thing else notable?\n answer : ?\nquestion11: Any other game shows?\n answer : ?", "answer": "possible answers for question1:\nHackett's first job after the war was at the Pink Elephant, a Brooklyn club.\npossible answers for question2:\nHackett's movie career began in 1950 with a 10-minute \"World of Sports\" reel for Columbia Pictures called King of the Pins.\npossible answers for question3:\nHackett would not return to movies until 1953, after one of his nightclub routines attracted attention.\npossible answers for question4:\nThe routine was such a hit that Hackett made a recording of it, and was hired to reprise it in the Universal-International musical Walking My Baby Back Home (1953),\npossible answers for question5:\nCANNOTANSWER\npossible answers for question6:\nHe made fifteen guest appearances on NBC-TV's The Perry Como Show between 1955 and 1961.\npossible answers for question7:\nHackett became known to a wider audience when he appeared on television in the 1950s and '60s as a frequent guest on variety talk shows\npossible answers for question8:\nJack Paar and the Johnny Carson\npossible answers for question9:\na frequent guest on variety talk shows hosted by Jack Paar and Arthur Godfrey, telling brash, often off-color jokes,\npossible answers for question10:\nhe also appeared as a panelist and mystery guest on CBS-TV's What's My Line? and filled in as emcee for the game show Treasure Hunt.\npossible answers for question11:\nCANNOTANSWER"}
{"passage": "Young left the Basie band in late 1940. He is rumored to have refused to play with the band on Friday, December 13 of that year for superstitious reasons spurring his dismissal, although Young and drummer Jo Jones would later state that his departure had been in the works for months. He subsequently led a number of small groups that often included his brother, drummer Lee Young, for the next couple of years; live and broadcast recordings from this period exist.  During this period Young accompanied the singer Billie Holiday in a couple of studio sessions (during 1937 - 1941 period) and also made a small set of recordings with Nat \"King\" Cole (their first of several collaborations) in June 1942. His studio recordings are relatively sparse during the 1942 to 1943 period, largely due to the recording ban by the American Federation of Musicians. Small record labels not bound by union contracts continued to record and he recorded some sessions for Harry Lim's Keynote label in 1943.  In December 1943 Young returned to the Basie fold for a 10-month stint, cut short by his being drafted into the army during World War II (see below). Recordings made during this and subsequent periods suggest Young was beginning to make much greater use of a plastic reed, which tended to give his playing a somewhat heavier, breathier tone (although still quite smooth compared to that of many other players). While he never abandoned the cane reed, he used the plastic reed a significant share of the time from 1943 until the end of his life. Another cause for the thickening of his tone around this time was a change in saxophone mouthpiece from a metal Otto Link to an ebonite Brilhart. In August 1944 Young appeared alongside drummer Jo Jones, trumpeter Harry \"Sweets\" Edison, and fellow tenor saxophonist Illinois Jacquet in Gjon Mili's short film Jammin' the Blues. CANNOTANSWER", "question": "question1: What is Leaving Basie?\n answer : ?\nquestion2: Why did he leave?\n answer : ?\nquestion3: How did he react to his dismissal?\n answer : ?\nquestion4: What did he do after he was dismissed?\n answer : ?\nquestion5: What did record with them?\n answer : ?\nquestion6: Did he work with any other artists?\n answer : ?\nquestion7: Are there any other interesting aspects about this article?\n answer : ?\nquestion8: What happened after he was drafted?\n answer : ?\nquestion9: Why did he change to a plastic reed?\n answer : ?\nquestion10: Is there anything else he did during this time?\n answer : ?", "answer": "possible answers for question1:\nYoung left the Basie band in late 1940.\npossible answers for question2:\nHe is rumored to have refused to play with the band on Friday, December 13 of that year for superstitious reasons spurring his dismissal,\npossible answers for question3:\nCANNOTANSWER\npossible answers for question4:\nYoung accompanied the singer Billie Holiday in a couple of studio sessions (during 1937 - 1941 period) and also made a small set of recordings with Nat \"King\" Cole\npossible answers for question5:\nHis studio recordings are relatively sparse during the 1942 to 1943 period, largely due to the recording ban by the American Federation of Musicians.\npossible answers for question6:\nhe recorded some sessions for Harry Lim's Keynote label in 1943.\npossible answers for question7:\nIn December 1943 Young returned to the Basie fold for a 10-month stint, cut short by his being drafted into the army during World War II (\npossible answers for question8:\nRecordings made during this and subsequent periods suggest Young was beginning to make much greater use of a plastic reed,\npossible answers for question9:\nwhich tended to give his playing a somewhat heavier, breathier tone\npossible answers for question10:\nIn August 1944 Young appeared alongside drummer Jo Jones, trumpeter Harry \"Sweets\" Edison, and fellow tenor saxophonist Illinois Jacquet in Gjon Mili's short film Jammin' the Blues."}
{"passage": "In 1933 Young settled in Kansas City, where after playing briefly in several bands, he rose to prominence with Count Basie. His playing in the Basie band was characterized by a relaxed style which contrasted sharply with the more forceful approach of Coleman Hawkins, the dominant tenor sax player of the day. One of Young's key influences was Frank Trumbauer, who came to prominence in the 1920s with Paul Whiteman and played the C-melody saxophone (between the alto and tenor in pitch).  Young left the Basie band to replace Hawkins in Fletcher Henderson's orchestra. He soon left Henderson to play in the Andy Kirk band (for six months) before returning to Basie. While with Basie, Young made small-group recordings for Milt Gabler's Commodore Records, The Kansas City Sessions. Although they were recorded in New York (in 1938, with a reunion in 1944), they are named after the group, the Kansas City Seven, and comprised Buck Clayton, Dicky Wells, Basie, Young, Freddie Green, Rodney Richardson, and Jo Jones. Young played clarinet as well as tenor in these sessions. Young is described as playing the clarinet in a \"liquid, nervous style.\"  As well as the Kansas City Sessions, his clarinet work from 1938-39 is documented on recordings with Basie, Billie Holiday, Basie small groups, and the organist Glenn Hardman. Billie and Lester met at a Harlem jam session in the early 30s and worked together in the Count Basie band and in nightclubs on New York's 52nd St. At one point Lester moved into the apartment Billie shared with her mother, Sadie Fagan. Holiday always insisted their relationship was strictly platonic. She gave Lester the nickname \"Prez\" after President Franklin Roosevelt, the \"greatest man around\" in Billie's mind. Playing on her name, he would call her \"Lady Day.\" Their famously empathetic classic recordings with Teddy Wilson date from this era.  After Young's clarinet was stolen in 1939, he abandoned the instrument until about 1957. That year Norman Granz gave him one and urged him to play it (with far different results at that stage in Young's life--see below). CANNOTANSWER", "question": "question1: When did he join?\n answer : ?\nquestion2: How long did he stay a member?\n answer : ?\nquestion3: When did he leave the band?\n answer : ?\nquestion4: What instrument did he play?\n answer : ?\nquestion5: What reed did he like to use?\n answer : ?\nquestion6: Did he have conflicts with the band?\n answer : ?\nquestion7: What other members were in the band?\n answer : ?\nquestion8: How did those groups fare?\n answer : ?\nquestion9: Who is Billie?\n answer : ?\nquestion10: What other bands was Billie in?\n answer : ?", "answer": "possible answers for question1:\nIn 1933 Young settled in Kansas City, where after playing briefly in several bands, he rose to prominence with Count Basie.\npossible answers for question2:\nYoung left the Basie band to replace Hawkins in Fletcher Henderson's orchestra.\npossible answers for question3:\nHe soon left Henderson to play in the Andy Kirk band (for six months) before returning to Basie.\npossible answers for question4:\ntenor sax\npossible answers for question5:\nCANNOTANSWER\npossible answers for question6:\nCANNOTANSWER\npossible answers for question7:\nWhile with Basie, Young made small-group recordings for Milt Gabler's Commodore Records, The Kansas City Sessions.\npossible answers for question8:\nBillie and Lester met at a Harlem jam session in the early 30s and worked together in the Count Basie band and in nightclubs on New York's 52nd St.\npossible answers for question9:\nBillie Holiday,\npossible answers for question10:\nthe Kansas City Seven,"}
{"passage": "Thalberg was born in Brooklyn, to German Jewish immigrant parents, William and Henrietta (Haymann). Shortly after birth, he was diagnosed with \"blue baby syndrome,\" caused by a congenital disease that limited the oxygen supply to his heart. The prognosis from the family's doctor and specialists was that he might live to age twenty, or at most, age thirty.  During his high school years in Brooklyn, he began having attacks of chest pains, dizziness and fatigue. This affected his ability to study, though until that time he was a good student. When he was 17, he contracted rheumatic fever, and was confined to bed for a year. His mother, Henrietta, to prevent him falling too far behind other students, brought him homework from school, books, and tutors to teach him at home. She also hoped that the schoolwork and reading would distract him from the \"tantalizing sounds\" of children playing outside his window.  With little to entertain him, he read books as a main activity. He devoured popular novels, classics, plays, and biographies. His books, of necessity, replaced the streets of New York, and led to his interest in classical philosophy and philosophers, such as William James.  When Thalberg returned to school, he finished high school but lacked the stamina for college, which he felt would have required constant late-night studying and cramming for exams. Instead, he took part-time jobs as a store clerk, and in the evenings, to gain some job skills, taught himself typing, shorthand and Spanish at a night vocational school. When he turned 18, he placed an ad with the local newspaper hoping to find better work:  \"Situation Wanted: Secretary, stenographer, Spanish, English, high school education, no experience; $15.\" CANNOTANSWER", "question": "question1: Where was Thalberg born?\n answer : ?\nquestion2: When was he born?\n answer : ?\nquestion3: Who were his parents?\n answer : ?\nquestion4: Did he have any siblings?\n answer : ?\nquestion5: Where did he attend school?\n answer : ?\nquestion6: What else is significant during his early years?\n answer : ?\nquestion7: What were the effects of this?\n answer : ?", "answer": "possible answers for question1:\nThalberg was born in Brooklyn,\npossible answers for question2:\nCANNOTANSWER\npossible answers for question3:\nWilliam and Henrietta (Haymann).\npossible answers for question4:\nCANNOTANSWER\npossible answers for question5:\nDuring his high school years in Brooklyn,\npossible answers for question6:\nShortly after birth, he was diagnosed with \"blue baby syndrome,\" caused by a congenital disease that limited the oxygen supply to his heart.\npossible answers for question7:\nDuring his high school years in Brooklyn, he began having attacks of chest pains, dizziness and fatigue."}
{"passage": "He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle.  Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and \"keep an eye on things for me.\" Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems.  Thalberg suggested, \"The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations.\" Laemmle immediately agreed, \"All right. You're it.\" In shock, Thalberg replied, \"I'm what?\" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development.  In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job \"owed nothing to nepotism, private wealth, or experience in the film industry.\" He reasons that despite \"Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world.\"  Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such \"big wide spaces.\" Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. \"We were all young,\" said comedian Buster Keaton. \"The air in California was like wine. Our business was also young--and growing like nothing ever seen before.\" CANNOTANSWER", "question": "question1: When did Irving start with Universal ?\n answer : ?\nquestion2: What did the work as office secretary lead to ?\n answer : ?\nquestion3: How did becoming a personal secretary help his career ?\n answer : ?\nquestion4: What did he get involved with films ?\n answer : ?\nquestion5: What were some of these productions he oversaw ?\n answer : ?\nquestion6: Did he produce any films himself ?\n answer : ?\nquestion7: What else did Irving do at Universal ?\n answer : ?", "answer": "possible answers for question1:\nHe found work as an office secretary at Universal Pictures'\npossible answers for question2:\nand later became personal secretary to the studio's founder and president,\npossible answers for question3:\nHe earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle.\npossible answers for question4:\nAt age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions\npossible answers for question5:\nCANNOTANSWER\npossible answers for question6:\nCANNOTANSWER\npossible answers for question7:\nnearly thirty scenarios then under development."}
{"passage": "The ancient Romans referred to the Etruscans as the Tusci or Etrusci. Their Roman name is the origin of the terms \"Tuscany\", which refers to their heartland, and \"Etruria\", which can refer to their wider region. In Attic Greek, the Etruscans were known as Tyrrhenians (Turrenoi, Turrhenoi, earlier Tursenoi Tursenoi), from which the Romans derived the names Tyrrheni, Tyrrhenia (Etruria), and Mare Tyrrhenum (Tyrrhenian Sea), prompting some to associate them with the Teresh (Sea Peoples). The word may also be related to the Hittite Taruisa. The Etruscans called themselves Rasenna, which was syncopated to Rasna or Rasna.  The origins of the Etruscans are mostly lost in prehistory, although Greek historians as early as the 5th century BC repeatedly associated the Tyrrhenians (Turrhenoi/Turrenoi, Tursenoi/Tursenoi) with Pelasgians. Thucydides, Herodotus and Strabo all denote Lemnos as settled by Pelasgians whom Thucydides identifies as \"belonging to the Tyrrhenians\" (to de pleiston Pelasgikon, ton kai Lemnon pote kai Athenas Tursenon), and although both Strabo and Herodotus agree that Tyrrhenus/Tyrsenos, son of Atys, king of Lydia, led the migration, Strabo specifies that it was the Pelasgians of Lemnos and Imbros who followed Tyrrhenus/Tyrsenos to the Italian Peninsula. The Lemnian-Pelasgian link was further manifested by the discovery of the Lemnos Stele, whose inscriptions were written in a language which shows strong structural resemblances to the language of the Tyrrhenians (Etruscans). Dionysius of Halicarnassus records a Pelasgian migration from Thessaly to the Italian peninsula, noting that \"the Pelasgi made themselves masters of some of the lands belonging to the Umbri\"; Herodotus describes how the Tyrrheni migrated from Lydia to the lands of the Umbri (Ombrikoi).  Strabo as well as the Homeric Hymn to Dionysus make mention of the Tyrrhenians as pirates. Pliny the Elder put the Etruscans in the context of the Rhaetian people to the north and wrote in his Natural History (AD 79):  Adjoining these the (Alpine) Noricans are the Raeti and Vindelici. All are divided into a number of states. The Raeti are believed to be people of Tuscan race driven out by the Gauls, their leader was named Raetus.  Etruscan expansion was focused both to the north beyond the Apennine Mountains and into Campania. Some small towns in the sixth century BC disappeared during this time, ostensibly consumed by greater, more powerful neighbours. However, it is certain that the political structure of the Etruscan culture was similar to, albeit more aristocratic than, Magna Graecia in the south. The mining and commerce of metal, especially copper and iron, led to an enrichment of the Etruscans and to the expansion of their influence in the Italian peninsula and the western Mediterranean Sea. Here, their interests collided with those of the Greeks, especially in the sixth century BC, when Phocaeans of Italy founded colonies along the coast of Sardinia, Spain and Corsica. This led the Etruscans to ally themselves with Carthage, whose interests also collided with the Greeks.  Around 540 BC, the Battle of Alalia led to a new distribution of power in the western Mediterranean. Though the battle had no clear winner, Carthage managed to expand its sphere of influence at the expense of the Greeks, and Etruria saw itself relegated to the northern Tyrrhenian Sea with full ownership of Corsica. From the first half of the 5th century BC, the new political situation meant the beginning of the Etruscan decline after losing their southern provinces. In 480 BC, Etruria's ally Carthage was defeated by a coalition of Magna Graecia cities led by Syracuse, Sicily. A few years later, in 474, Syracuse's tyrant Hiero defeated the Etruscans at the Battle of Cumae. Etruria's influence over the cities of Latium and Campania weakened, and the area was taken over by Romans and Samnites.  In the 4th century BC, Etruria saw a Gallic invasion end its influence over the Po Valley and the Adriatic coast. Meanwhile, Rome had started annexing Etruscan cities. This led to the loss of the northern Etruscan provinces. Etruria was conquered by Rome in the 3rd century BC.  Etruscan art was produced by the Etruscan civilization between the 9th and 2nd centuries BC. Particularly strong in this tradition were figurative sculpture in terracotta (particularly lifesize on sarcophagi or temples), wall-painting and metalworking (especially engraved bronze mirrors). Etruscan sculpture in cast bronze was famous and widely exported, but few large examples have survived (the material was too valuable, and recycled later). In contrast to terracotta and bronze, there was apparently little Etruscan sculpture in stone, despite the Etruscans controlling fine sources of marble, including Carrara marble, which seems not to have been exploited until the Romans. Most surviving Etruscan art comes from tombs, including all the fresco wall-paintings, which show scenes of feasting and some narrative mythological subjects.  Bucchero wares in black were the early and native styles of fine Etruscan pottery. There was also a tradition of elaborate Etruscan vase painting, which sprung from its Greek equivalent; the Etruscans were the main export market for Greek vases. Etruscan temples were heavily decorated with colourfully painted terracotta antefixes and other fittings, which survive in large numbers where the wooden superstructure has vanished. Etruscan art was strongly connected to religion; the afterlife was of major importance in Etruscan art.  The Etruscan musical instruments seen in frescoes and bas-reliefs are different types of pipes, such as the plagiaulos (the pipes of Pan or Syrinx), the alabaster pipe and the famous double pipes, accompanied on percussion instruments such as the tintinnabulum, tympanum and crotales, and later by stringed instruments like the lyre and kithara. CANNOTANSWER", "question": "question1: What kind of art was the Etruscan known for?\n answer : ?\nquestion2: what shapes did they make?\n answer : ?\nquestion3: are there any pieces still around today?\n answer : ?\nquestion4: what type of music is the Etruscan civilization known for?\n answer : ?\nquestion5: what types of pipes?\n answer : ?\nquestion6: where did they play this music?\n answer : ?\nquestion7: is there anything noteworthy about their art and music in this article?\n answer : ?\nquestion8: what religion were they?\n answer : ?", "answer": "possible answers for question1:\nfigurative sculpture in terracotta (\npossible answers for question2:\nparticularly lifesize on sarcophagi or temples\npossible answers for question3:\nCANNOTANSWER\npossible answers for question4:\ndifferent types of pipes,\npossible answers for question5:\nsuch as the plagiaulos (the pipes of Pan or Syrinx), the alabaster pipe and the famous double pipes,\npossible answers for question6:\nCANNOTANSWER\npossible answers for question7:\nEtruscan art was strongly connected to religion;\npossible answers for question8:\nCANNOTANSWER"}
{"passage": "Knowledge of the Etruscan language is still far from complete. The Etruscans are believed to have spoken a non-Indo-European language; the majority consensus is that Etruscan is related only to other members of what is called the Tyrsenian language family, which in itself is an isolate family, that is, unrelated directly to other known language groups. Since Rix (1998), it is widely accepted that the Tyrsenian family groups Raetic and Lemnian are related to Etruscan.  No etymology exists for Rasna, the Etruscans' name for themselves, although Italian historic linguist Massimo Pittau has proposed the meaning of 'Shaved' or 'Beardless', backing the opinion of ancient figurines collector and author Paolo Campidori. The etymology of Tusci is based on a beneficiary phrase in the third Iguvine tablet, which is a major source for the Umbrian language. The phrase is turskum ... nomen, \"the Tuscan name\", from which a root *Tursci can be reconstructed. A metathesis and a word-initial epenthesis produce E-trus-ci. A common hypothesis is that *Turs- along with Latin turris, \"tower\", come from Greek tursis, \"tower.\" The Tusci were therefore the \"people who build towers\" or \"the tower builders.\" This venerable etymology is at least as old as Dionysius of Halicarnassus, who said \"And there is no reason that the Greeks should not have called them by this name, both from their living in towers and from the name of one of their rulers.\"  Giuliano and Larissa Bonfante (Bonfante, 2002) speculate that Etruscan houses seemed like towers to the simple Latins. It is true that the Etruscans preferred to build hill towns on high precipices enhanced by walls. On the other hand, if the Tyrrhenian name came from an incursion of Sea Peoples or later migrants, then it might well be related to the name of Troy, the city of towers in that case. CANNOTANSWER", "question": "question1: What language did they speak?\n answer : ?\nquestion2: Are there any other interesting aspects about this article?\n answer : ?\nquestion3: What is etymology?\n answer : ?\nquestion4: Why did Pittau think it meant beardless?\n answer : ?\nquestion5: Have other languages adopted any of their words?\n answer : ?\nquestion6: Do they have any unique words?\n answer : ?\nquestion7: What does it mean?\n answer : ?", "answer": "possible answers for question1:\na non-Indo-European language; the majority consensus is that Etruscan is related only to other members of what is called the Tyrsenian language family,\npossible answers for question2:\nNo etymology exists for Rasna, the Etruscans' name for themselves, although Italian historic linguist Massimo Pittau has proposed the meaning of 'Shaved' or 'Beardless',\npossible answers for question3:\nCANNOTANSWER\npossible answers for question4:\nbacking the opinion of ancient figurines collector and author Paolo Campidori.\npossible answers for question5:\nTyrrhenian name came from an incursion of Sea Peoples or later migrants, then it might well be related to the name of Troy,\npossible answers for question6:\nThe phrase is turskum ...\npossible answers for question7:\n\"the Tuscan name\", from which a root *Tursci can be reconstructed."}
{"passage": "After spending a few years researching science fiction, Groening got together with Simpsons writer/producer David X. Cohen (known as David S. Cohen at the time) in 1997 and developed Futurama, an animated series about life in the year 3000. By the time they pitched the series to Fox in April 1998, Groening and Cohen had composed many characters and storylines; Groening claimed they had gone \"overboard\" in their discussions. Groening described trying to get the show on the air as \"by far the worst experience of [his] grown-up life.\" The show premiered on March 28, 1999. Groening's writing credits for the show are for the premiere episode, \"Space Pilot 3000\" (co-written with Cohen), \"Rebirth\" (story) and \"In-A-Gadda-Da-Leela\" (story).  After four years on the air, the show was canceled by Fox. In a situation similar to Family Guy, however, strong DVD sales and very stable ratings on Adult Swim brought Futurama back to life. When Comedy Central began negotiating for the rights to air Futurama reruns, Fox suggested that there was a possibility of also creating new episodes. When Comedy Central committed to sixteen new episodes, it was decided that four straight-to-DVD films - Bender's Big Score (2007), The Beast with a Billion Backs (2008), Bender's Game (2008) and Into the Wild Green Yonder (2009) - would be produced.  Since no new Futurama projects were in production, the movie Into the Wild Green Yonder was designed to stand as the Futurama series finale. However, Groening had expressed a desire to continue the Futurama franchise in some form, including as a theatrical film. In an interview with CNN, Groening said that \"we have a great relationship with Comedy Central and we would love to do more episodes for them, but I don't know... We're having discussions and there is some enthusiasm but I can't tell if it's just me\". Comedy Central commissioned an additional 26 new episodes, and began airing them in 2010. The show continued in to 2013, before Comedy Central announced in April 2013 that they would not be renewing it beyond its seventh season. The final episode aired on September 4, 2013. CANNOTANSWER", "question": "question1: How is Groening connected to Futurama?\n answer : ?\nquestion2: What is Futurama?\n answer : ?\nquestion3: Was the show popular?\n answer : ?\nquestion4: how long was the show on?\n answer : ?\nquestion5: What did Groening do?\n answer : ?\nquestion6: Did he do anything besides write?\n answer : ?", "answer": "possible answers for question1:\nGroening got together with Simpsons writer/producer David X. Cohen (known as David S. Cohen at the time) in 1997 and developed Futurama,\npossible answers for question2:\nan animated series about life in the year 3000.\npossible answers for question3:\nthe show was canceled by Fox. In a situation similar to Family Guy, however, strong DVD sales and very stable ratings on Adult Swim brought Futurama back to life.\npossible answers for question4:\nfour years on the air,\npossible answers for question5:\nGroening's writing credits for the show are for the premiere episode, \"Space Pilot 3000\" (co-written with Cohen), \"Rebirth\" (story) and \"In-A-Gadda-Da-Leela\" (story).\npossible answers for question6:\nGroening and Cohen had composed many characters and storylines;"}
{"passage": "Groening described life in Los Angeles to his friends in the form of the self-published comic book Life in Hell, which was loosely inspired by the chapter \"How to Go to Hell\" in Walter Kaufmann's book Critique of Religion and Philosophy. Groening distributed the comic book in the book corner of Licorice Pizza, a record store in which he worked. He made his first professional cartoon sale to the avant-garde Wet magazine in 1978. The strip, titled \"Forbidden Words,\" appeared in the September/October issue of that year.  Groening had gained employment at the Los Angeles Reader, a newly formed alternative newspaper, delivering papers, typesetting, editing and answering phones. He showed his cartoons to the editor, James Vowell, who was impressed and eventually gave him a spot in the paper. Life in Hell made its official debut as a comic strip in the Reader on April 25, 1980. Vowell also gave Groening his own weekly music column, \"Sound Mix,\" in 1982. However, the column would rarely actually be about music, as he would often write about his \"various enthusiasms, obsessions, pet peeves and problems\" instead. In an effort to add more music to the column, he \"just made stuff up,\" concocting and reviewing fictional bands and nonexistent records. In the following week's column, he would confess to fabricating everything in the previous column and swear that everything in the new column was true. Eventually, he was finally asked to give up the \"music\" column. Among the fans of the column was Harry Shearer, who would later become a voice on The Simpsons.  Life in Hell became popular almost immediately. In November 1984, Deborah Caplan, Groening's then-girlfriend and co-worker at the Reader, offered to publish \"Love is Hell\", a series of relationship-themed Life in Hell strips, in book form. Released a month later, the book was an underground success, selling 22,000 copies in its first two printings. Work is Hell soon followed, also published by Caplan. Soon afterward, Caplan and Groening left and put together the Life in Hell Co., which handled merchandising for Life in Hell. Groening also started Acme Features Syndicate, which syndicated Life in Hell, Lynda Barry and John Callahan, but now only syndicates Life in Hell. At the end of its run, Life in Hell was carried in 250 weekly newspapers and has been anthologized in a series of books, including School is Hell, Childhood is Hell, The Big Book of Hell, and The Huge Book of Hell. Although Groening has stated, \"I'll never give up the comic strip. It's my foundation,\" he announced that the June 16, 2012 strip would mark Life in Hell's conclusion. After Groening ended the strip, the Center for Cartoon Studies commissioned a poster that was presented to Groening in honor of his work. The poster contained tribute cartoons by 22 of Groening's cartoonist friends who were influenced by Life in Hell. CANNOTANSWER", "question": "question1: What is Life in Hell?\n answer : ?\nquestion2: What year was this published?\n answer : ?\nquestion3: Was this a one time publication or an ongoing thing?\n answer : ?\nquestion4: Are there any other interesting aspects about this article?\n answer : ?\nquestion5: Is it still being published?\n answer : ?\nquestion6: Was this a popular comic book?\n answer : ?", "answer": "possible answers for question1:\nself-published comic book\npossible answers for question2:\n1978.\npossible answers for question3:\nHell. At the end of its run, Life in Hell was carried in 250 weekly newspapers and has been anthologized in a series of books,\npossible answers for question4:\nDeborah Caplan, Groening's then-girlfriend and co-worker at the Reader, offered to publish \"Love is Hell\npossible answers for question5:\n\" he announced that the June 16, 2012 strip would mark Life in Hell's conclusion.\npossible answers for question6:\n  Life in Hell became popular almost immediately. In"}
{"passage": "The orchestra was founded in 1945 by Walter Legge. As Legge was a recording producer for EMI, it was believed that the orchestra was primarily formed for recording purposes, but that was not Legge's intention. He had been Sir Thomas Beecham's assistant at the Royal Opera House, Covent Garden, before World War II, and, assuming that he and Beecham would be in charge there again after the war, Legge planned to establish a first-class orchestra for opera, concerts and recordings. After the war, opera resumed at Covent Garden under a different management, but Legge went ahead with his plans for a new orchestra. His contacts in the musical world during the war enabled him to secure the services of a large number of talented young musicians still serving in the armed forces in 1945. At the Philharmonia's first concert on 25 October 1945, more than sixty per cent of the players were still officially in the services. Beecham conducted the concert (for the fee of one cigar), but as he refused to be Legge's employee and Legge refused to cede control of the orchestra, Beecham instead went on to found the Royal Philharmonic Orchestra.  In its early years, with financial support of the Last Maharaja of Mysore, Jayachamaraja Wodeyar Bahadur (1919-1974), the orchestra engaged many prominent conductors, including Arturo Toscanini, Richard Strauss and Wilhelm Furtwangler. Herbert von Karajan was closely associated with the Philharmonia in its early years, although he never held an official title with the orchestra. At first, Legge was against appointing an official principal conductor, feeling that no one conductor should have more importance to the orchestra than Legge himself. But Karajan was principal conductor in all but name. He built the orchestra into one of the finest in the world and made numerous recordings, including all the Beethoven symphonies.  In 1954, Karajan was elected music director of the Berlin Philharmonic Orchestra and subsequently curtailed his work with the Philharmonia. Needing to find a new conductor for the orchestra, Legge turned to Otto Klemperer, whose career was flagging at the time. Klemperer's name became closely linked with the orchestra during an \"Indian summer\" of celebrated recordings. In 1959, Klemperer was named music director for life.  On 10 March 1964, Legge announced that he was going to disband the Philharmonia Orchestra. At a recording session with Klemperer, a meeting was convened where those present unanimously agreed that they would not allow the orchestra to be disbanded. Klemperer gave his immediate support. On 17 March 1964, the members of the orchestra elected their own governing body and adopted the name New Philharmonia Orchestra. The inaugural concert of the New Philharmonia under its own auspices took place on 27 October 1964. It was a performance of Beethoven's Symphony No. 9, conducted by Klemperer, who was now honorary president of the orchestra. From 1966 until 1972, the chairman of the orchestra was the principal flautist, Gareth Morris.  The orchestra gave many more live performances after it became self-governing than it had under Legge's management. It reacquired the rights to the name \"Philharmonia Orchestra\" in 1977, and has been known by that name ever since. CANNOTANSWER", "question": "question1: what is the first decade?\n answer : ?\nquestion2: what was its first concert or recording?\n answer : ?\nquestion3: what did they play?\n answer : ?\nquestion4: who was the director?\n answer : ?\nquestion5: who else directed?\n answer : ?\nquestion6: what music did he direct?\n answer : ?\nquestion7: did the orchestra record any soundtracks?\n answer : ?\nquestion8: did they record anything else?\n answer : ?", "answer": "possible answers for question1:\nThe orchestra was founded in 1945\npossible answers for question2:\nPhilharmonia's first concert on 25 October 1945,\npossible answers for question3:\nCANNOTANSWER\npossible answers for question4:\nKarajan was principal conductor\npossible answers for question5:\nArturo Toscanini,\npossible answers for question6:\nCANNOTANSWER\npossible answers for question7:\n\"Indian summer\"\npossible answers for question8:\nCANNOTANSWER"}
{"passage": "In February 2005, Aesop Rock released a new EP, Fast Cars, Danger, Fire and Knives. The first pressing of the EP included an 88-page booklet with lyrics from every release from Float until this EP (the lyric booklet is titled The Living Human Curiosity Sideshow); later pressings of the album come without the booklet, but with an additional bonus track, \"Facemelter\". In addition, a limited number of albums were available direct from Def Jux with Aesop Rock's graffiti tag on them. In response to demands from his fans, Rock did less production on the EP: three songs are produced by Blockhead, three produced by Aesop, and one by Rob Sonic. During this time he was asked to join The Weathermen to replace Vast Aire.  Aesop Rock was commissioned to create a 45-minute instrumental track for the Nike+iPod running system, entitled All Day. It was released in February 2007. Distributed via the iTunes Music Store and featuring his wife Allyson Baker on guitar and scratches from DJ Big Wiz, Aesop has described the release as \"something that evolved enough that the sound was constantly fresh and attractive, as though the runner were moving through a set of differing cities or landscapes.\"  All Day was followed in August of the same year by Bavitz's fifth full-length album, None Shall Pass released in 2007. The album also contained original artwork by Jeremy Fish. About Jeremy Fish, Aesop Rock said: \"Man that guy is my hero. We have a friend in common who hit me up a while back saying that this guy Jeremy Fish had an opportunity to pitch a cartoon to Disney and wanted me to be involved in the music side. I flipped out cuz I was also a fan of his, and owned some of his work.\" Aesop Rock also teamed up with Jeremy Fish again in a project called Ghosts of the Barbary Coast. Aesop Rock made a song called \"Tomorrow Morning\", to go along with a slideshow of drawings that Jeremy Fish drew. This was displayed in San Francisco, but was also made available for download online. None Shall Pass had positive reviews from critics and fans, applauding Aesop for his change in sound. CANNOTANSWER", "question": "question1: When was Fast Cars released?\n answer : ?\nquestion2: Did anything interesting happen during this release?\n answer : ?\nquestion3: Were there later pressings as well?\n answer : ?\nquestion4: What happened with Nike Ipod?\n answer : ?\nquestion5: What was special about this track?\n answer : ?\nquestion6: How did he feel about this track?\n answer : ?\nquestion7: When did None Shall Pass come along?\n answer : ?\nquestion8: What interesting things happened during this album release?\n answer : ?", "answer": "possible answers for question1:\nIn February 2005,\npossible answers for question2:\nThe first pressing of the EP included an 88-page booklet with lyrics from every release from Float until this EP\npossible answers for question3:\nlater pressings of the album come without the booklet, but with an additional bonus track, \"Facemelter\".\npossible answers for question4:\nAesop Rock was commissioned to create a 45-minute instrumental track for the Nike+iPod running system,\npossible answers for question5:\nIt was released in February 2007. Distributed via the iTunes Music Store\npossible answers for question6:\nAesop has described the release as \"something that evolved enough that the sound was constantly fresh and attractive,\npossible answers for question7:\nNone Shall Pass released in 2007.\npossible answers for question8:\nThe album also contained original artwork by Jeremy Fish. About Jeremy Fish, Aesop Rock said: \"Man that guy is my hero."}
{"passage": "Kidman has been married twice: previously to actor Tom Cruise, and currently to country singer Keith Urban. She has an adopted son and daughter with Cruise as well as two biological daughters with Urban. Kidman met Cruise in November 1989, while filming Days of Thunder, they were married on Christmas Eve 1990 in Telluride, Colorado. The couple adopted a daughter, Isabella Jane (born 1992), and a son, Connor Anthony (born 1995). On 5 February 2001, the couple's spokesperson announced their separation. Cruise filed for divorce two days later, and the marriage was dissolved in August of that year, with Cruise citing irreconcilable differences. In a 2007 interview with Marie Claire, Kidman noted the incorrect reporting of the ectopic pregnancy early in her marriage. \"It was wrongly reported as miscarriage, by everyone who picked up the story.\" \"So it's huge news, and it didn't happen.\"  In the June 2006 issue of Ladies' Home Journal, she said she still loved Cruise: \"He was huge; still is. To me, he was just Tom, but to everybody else, he is huge. But he was lovely to me and I loved him. I still love him.\" In addition, she has expressed shock about their divorce. In 2015, former Church of Scientology executive Mark Rathbun claimed in a documentary film that he was instructed to \"facilitate [Cruise's] breakup with Nicole Kidman\". Cruise's auditor further claimed Kidman had been wiretapped on Cruise's suggestion.  Prior to marrying Cruise, Kidman had been involved in relationships with Australian actor Marcus Graham and Windrider (1986) co-star Tom Burlinson. She was also said to be involved with Adrien Brody. The film Cold Mountain brought rumours that an affair between Kidman and co-star Jude Law was responsible for the break-up of his marriage. Both denied the allegations, and Kidman won an undisclosed sum from the British tabloids that published the story. She met musician Lenny Kravitz in 2003 and dated him into 2004. Robbie Williams confirmed he had a short romance with Kidman on her yacht in summer 2004.  In a 2007 Vanity Fair interview, Kidman revealed that she had been secretly engaged to someone prior to her present relationship to New Zealand-Australian country singer Keith Urban, whom she met at G'Day LA, an event honouring Australians, in January 2005. Kidman married Urban on 25 June 2006, at Cardinal Cerretti Memorial Chapel in the grounds of St Patrick's Estate, Manly in Sydney. In an interview in 2015, Kidman said, \"We didn't really know each other - we got to know each other during our marriage.\" They maintain homes in Sydney, Sutton Forest (New South Wales, Australia), Los Angeles, and Nashville (Tennessee, USA). The couple's first daughter was born in 2008, in Nashville. In 2010, Kidman and Urban had their second daughter via surrogacy at Nashville's Centennial Women's Hospital.  In an on-stage interview by Tina Brown at the 2015 Women in the World (WITW) conference, Kidman stated that she turned her attention to her career after her divorce from Tom Cruise: \"Out of my divorce came work that was applauded so that was an interesting thing for me\", and led to her Academy Award in 2002. CANNOTANSWER", "question": "question1: what relationships did nicole have?\n answer : ?\nquestion2: and to who after tom cruise?\n answer : ?\nquestion3: she has an adopted what?\n answer : ?\nquestion4: as well as two what?\n answer : ?\nquestion5: who did kidman meet?\n answer : ?", "answer": "possible answers for question1:\nKidman has been married twice: previously to actor Tom Cruise,\npossible answers for question2:\nand currently to country singer Keith Urban. She has an adopted\npossible answers for question3:\nShe has an adopted son and daughter with Cruise as well as two\npossible answers for question4:\nas well as two biological daughters with Urban. Kidman met\npossible answers for question5:\nKidman met Cruise in November 1989, while filming Days of Thunder, they were"}
{"passage": "In 2002, Kidman first appeared on the Australian rich list published annually in the Business Review Weekly with an estimated net worth of A$122 million. In the 2011 published list, Kidman's wealth was estimated at A$304 million, down from A$329 million in 2010. Kidman has raised money for, and drawn attention to, disadvantaged children around the world. In 1994, she was appointed a goodwill ambassador for UNICEF, and in 2004, she was honoured as a \"Citizen of the World\" by the United Nations. Kidman joined the Little Tee Campaign for breast cancer care to design T-shirts or vests to raise money to fight the disease; motivated by her mother's own battle with breast cancer in 1984.  In the 2006 Australia Day Honours, Kidman was made a Companion of Order of Australia (AC) for \"service to the performing arts as an acclaimed motion picture performer, to health care through contributions to improve medical treatment for women and children and advocacy for cancer research, to youth as a principal supporter of young performing artists, and to humanitarian causes in Australia and internationally.\" However, due to film commitments and her wedding to Urban, it wasn't until 13 April 2007 that she was presented with the honour. It was presented by the Governor-General of Australia, Major General Michael Jeffery, in a ceremony at Government House, Canberra. Kidman was appointed goodwill ambassador of the United Nations Development Fund for Women (UNIFEM) in 2006. In this capacity, Kidman has addressed international audiences at UN events, raised awareness through the media and testified before the United States House of Representatives Committee on Foreign Affairs to support the International Violence against Women Act. Kidman visited Kosovo in 2006 to learn about women's experiences of conflict and UNIFEM's support efforts. She is the international spokesperson for UNIFEM's Say NO - UNiTE to End Violence against Women initiative. Kidman and the UNIFEM executive director presented over five million signatures collected during the first phase of this to the UN Secretary-General on 25 November 2008.  In the beginning of 2009, Kidman appeared in a series of postage stamps featuring Australian actors. She, Geoffrey Rush, Russell Crowe, and Cate Blanchett each appear twice in the series: once as themselves and once as their Academy Award-nominated character, Kidman's second stamp showed her as Satine from Moulin Rouge!. On 8 January 2010, alongside Nancy Pelosi, Joan Chen and Joe Torre, Kidman attended the ceremony to help Family Violence Prevention Fund break ground on a new international center located in the Presidio of San Francisco.  In 2015, Kidman became the brand ambassador for Etihad Airways.  Kidman supports the Nashville Predators, being seen and photographed almost nightly throughout the season. Additionally, she supports Sydney Swans in the Australian Football League, and once served as a club ambassador. CANNOTANSWER", "question": "question1: what is known of nicole's wealth?\n answer : ?\nquestion2: what is learnt from this article?\n answer : ?\nquestion3: what more is known about her wealth?\n answer : ?\nquestion4: any more info on her wealth?\n answer : ?", "answer": "possible answers for question1:\nIn 2002, Kidman first appeared on the Australian rich list published annually in the Business Review Weekly\npossible answers for question2:\nIn the 2011 published list, Kidman's wealth was estimated at A$304 million,\npossible answers for question3:\n2011 published list, Kidman's wealth was estimated at A$304 million, down from A$329 million in 2010.\npossible answers for question4:\nKidman has raised money for, and drawn attention to, disadvantaged children around the world."}
{"passage": "Columbia Records began to press Nas to work towards more commercial topics, such as that of The Notorious B.I.G., who had become successful by releasing street singles that still retained radio-friendly appeal. In 1995, Nas did guest performances on the albums Doe or Die by AZ, The Infamous by The Infamous Mobb Deep, Only Built 4 Cuban Linx by Raekwon and 4,5,6 by Kool G Rap. Nas also parted ways with manager MC Serch, enlisted Steve Stoute, and began preparation for his second LP, It Was Written, consciously working towards a crossover-oriented sound. It Was Written, chiefly produced by Tone and Poke of Trackmasters, was released in mid-1996. Two singles, \"If I Ruled the World (Imagine That)\" (featuring Lauryn Hill of The Fugees) and \"Street Dreams\", including a remix with R. Kelly were instant hits. These songs were promoted by big-budget music videos directed by Hype Williams, making Nas a common name among mainstream hip-hop. It Was Written featured the debut of The Firm, a supergroup consisting of Nas, AZ, Foxy Brown, and Cormega. The album also expanded on Nas's Escobar persona, who lived a Scarface/Casino-esque lifestyle. On the other hand, references to Scarface protagonist Tony Montana notwithstanding, Illmatic was more about his early life growing up in the projects.  Signed to Dr. Dre's Aftermath Entertainment label, The Firm began working on their debut album. Halfway through the production of the album, Cormega was fired from the group by Steve Stoute, who had unsuccessfully attempted to force Cormega to sign a deal with his management company. Cormega subsequently became one of Nas's most vocal opponents and released a number of underground hip hop singles \"dissing\" Nas, Stoute, and Nature, who replaced Cormega as the fourth member of The Firm. Nas, Foxy Brown, AZ, and Nature Present The Firm: The Album was finally released in 1997 to mixed reviews. The album failed to live up to its expected sales, despite being certified platinum, and the members of the group disbanded to go their separate ways.  During this period, Nas was one of four rappers (the others being B-Real, KRS-One and RBX) in the hip-hop supergroup Group Therapy, who appeared on the song \"East Coast/West Coast Killas\" from Dr. Dre Presents the Aftermath. CANNOTANSWER", "question": "question1: Where was the mainstream direction going?\n answer : ?\nquestion2: How was Nas involved in the firm?\n answer : ?\nquestion3: What did this super group do?\n answer : ?\nquestion4: What was this debut album called?\n answer : ?\nquestion5: Was this album successful?\n answer : ?\nquestion6: Are there any other interesting aspects of this article?\n answer : ?\nquestion7: Was group the group successful?\n answer : ?", "answer": "possible answers for question1:\nCANNOTANSWER\npossible answers for question2:\na supergroup consisting of Nas, AZ, Foxy Brown, and Cormega.\npossible answers for question3:\nbegan working on their debut album.\npossible answers for question4:\nThe Firm: The Album\npossible answers for question5:\nmixed reviews.\npossible answers for question6:\nNas was one of four rappers (the others being B-Real, KRS-One and RBX) in the hip-hop supergroup Group Therapy,\npossible answers for question7:\nCANNOTANSWER"}
{"passage": "As a teenager, Nas enlisted his best friend and upstairs neighbor Willy \"Ill Will\" Graham as his DJ. Nas initially went by the nickname \"Kid Wave\" before adopting his more commonly known alias of \"Nasty Nas\". In the late-1980s, he met up with the producer Large Professor and went to the studio where Rakim and Kool G Rap were recording their albums. When they were not in the recording studio, Nas would go into the booth and record his own material. However, none of it was ever released. In 1991, Nas performed on Main Source's \"Live at the Barbeque\". In mid-1992, Nas was approached by MC Serch of 3rd Bass, who became his manager and secured Nas a record deal with Columbia Records during the same year. Nas made his solo debut under the name of \"Nasty Nas\" on the single \"Halftime\" from MC Serch's soundtrack for the film Zebrahead. Called the new Rakim, his rhyming skills attracted a significant amount of attention within the hip-hop community.  In 1994, Nas's debut album, Illmatic, was finally released. It was awarded best album of 1994 by The Source. It also featured production from Large Professor, Pete Rock, Q-Tip, LES and DJ Premier, as well as guest appearances from Nas's friend AZ and his father Olu Dara. The album spawned several singles, including \"The World Is Yours\", \"It Ain't Hard to Tell\", and \"One Love\". Shaheem Reid of MTV News called Illmatic \"the first classic LP\" of 1994. In 1994, Nas also recorded the song \"One on One\" for the soundtrack to the film Street Fighter. In his book To the Break of Dawn: A Freestyle on the Hip Hop Aesthetic, William Jelani Cobb writes of Nas's impact at the time:  Nas, the poetic sage of the Queensbridge projects, was hailed as the second coming of Rakim--as if the first had reached his expiration date. [...] Nas never became 'the next Rakim,' nor did he really have to. Illmatic stood on its own terms. The sublime lyricism of the CD, combined with the fact that it was delivered into the crucible of the boiling East-West conflict, quickly solidified [his] reputation as the premier writer of his time.  Steve Huey of AllMusic described Nas's lyrics on Illmatic as \"highly literate\" and his raps \"superbly fluid regardless of the size of his vocabulary\", adding that Nas is \"able to evoke the bleak reality of ghetto life without losing hope or forgetting the good times\". Reviewing Nas's second album It Was Written, Leo Stanley of allmusic believed the rhymes to be not as complex as those in Illmatic but still \"not only flow, but manage to tell coherent stories as well\". About.com ranked Illmatic as the greatest hip-hop album of all time, and Prefix magazine praised it as \"the best hip-hop record ever made\". CANNOTANSWER", "question": "question1: How did he begin his career?\n answer : ?\nquestion2: Who else helped?\n answer : ?\nquestion3: What was his first album?\n answer : ?\nquestion4: Did he have any performances before then?\n answer : ?\nquestion5: Who did he work with?\n answer : ?\nquestion6: What were his hits?\n answer : ?\nquestion7: Any other hit singles?\n answer : ?", "answer": "possible answers for question1:\nAs a teenager, Nas enlisted his best friend and upstairs neighbor Willy \"Ill Will\" Graham as his DJ.\npossible answers for question2:\n\". In the late-1980s, he met up with the producer Large Professor and went to the studio where Rakim and Kool G Rap were recording their albums.\npossible answers for question3:\nIn 1994, Nas's debut album, Illmatic, was finally released. It was awarded best album of 1994 by The Source.\npossible answers for question4:\nIn 1991, Nas performed on Main Source's \"Live at the Barbeque\". In mid-1992, Nas was approached by MC Serch of 3rd Bass,\npossible answers for question5:\nNas was approached by MC Serch of 3rd Bass, who became his manager and secured Nas a record deal with Columbia Records during the same year.\npossible answers for question6:\nThe album spawned several singles, including \"The World Is Yours\", \"It Ain't Hard to Tell\", and \"One Love\".\npossible answers for question7:\nIn 1994, Nas also recorded the song \"One on One\" for the soundtrack to the film Street Fighter."}
{"passage": "On 22 June 2011, the Chinese authorities released Ai from jail after almost three months' detention on charges of tax evasion. Beijing Fa Ke Cultural Development Ltd. (Chinese: Bei Jing Fa Ke Wen Hua Gong Si ), a company Ai controlled, had allegedly evaded taxes and intentionally destroyed accounting documents. State media also reports that Ai was granted bail on account of Ai's \"good attitude in confessing his crimes\", willingness to pay back taxes, and his chronic illnesses. According to the Chinese Foreign Ministry, he is prohibited from leaving Beijing without permission for one year. Ai's supporters widely viewed his detention as retaliation for his vocal criticism of the government. On 23 June 2011, professor Wang Yujin of China University of Political Science and Law stated that the release of Ai on bail shows that the Chinese government could not find any solid evidence of Ai's alleged \"economic crime\". On 24 June 2011, Ai told a Radio Free Asia reporter that he was thankful for the support of the Hong Kong public, and praised Hong Kong's conscious society. Ai also mentioned that his detention by the Chinese regime was hellish (Chinese: Jiu Si Yi Sheng ), and stressed that he is forbidden to say too much to reporters.  After his release, his sister gave some details about his detention condition to the press, explaining that he was subjected to a kind of psychological torture: he was detained in a tiny room with constant light, and two guards were set very close to him at all times, and watched him constantly. In November, Chinese authorities were again investigating Ai and his associates, this time under the charge of spreading pornography. Lu was subsequently questioned by police, and released after several hours though the exact charges remain unclear. In January 2012, in its International Review issue Art in America magazine featured an interview with Ai Weiwei at his home in China. J.J. Camille (the pen name of a Chinese-born writer living in New York), \"neither a journalist nor an activist but simply an art lover who wanted to talk to him\" had travelled to Beijing the previous September to conduct the interview and to write about his visit to \"China's most famous dissident artist\" for the magazine.  On 21 June 2012, Ai's bail was lifted. Although he is allowed to leave Beijing, the police informed him that he is still prohibited from traveling to other countries because he is \"suspected of other crimes,\" including pornography, bigamy and illicit exchange of foreign currency. Until 2015, he remained under heavy surveillance and restrictions of movement, but continues to criticize through his work. In July 2015, he was given a passport and may travel abroad. CANNOTANSWER", "question": "question1: what is release referring to?\n answer : ?\nquestion2: what evidence did they have?\n answer : ?\nquestion3: how was he treated in prison?\n answer : ?\nquestion4: what did they do to him?\n answer : ?\nquestion5: was he subjected to any other mistreatment?\n answer : ?\nquestion6: what was he charged with?\n answer : ?\nquestion7: what did the public think of his imprisonment?\n answer : ?\nquestion8: did they have evidence against him?\n answer : ?\nquestion9: did he give any interviews?\n answer : ?\nquestion10: what did he speak about?\n answer : ?\nquestion11: what is an interesting fact regarding  his release?\n answer : ?\nquestion12: what crimes?\n answer : ?", "answer": "possible answers for question1:\nOn 22 June 2011, the Chinese authorities released Ai from jail after almost three months' detention on charges of tax evasion.\npossible answers for question2:\nhad allegedly evaded taxes and intentionally destroyed accounting documents.\npossible answers for question3:\nhis sister gave some details about his detention condition to the press, explaining that he was subjected to a kind of psychological torture:\npossible answers for question4:\nhe was detained in a tiny room with constant light, and two guards were set very close to him at all times, and watched him constantly.\npossible answers for question5:\nAi also mentioned that his detention by the Chinese regime was hellish (Chinese: Jiu Si Yi Sheng ), and stressed that he is forbidden to say too much to reporters.\npossible answers for question6:\nAi's supporters widely viewed his detention as retaliation for his vocal criticism of the government.\npossible answers for question7:\nAi's supporters widely viewed his detention as retaliation\npossible answers for question8:\nprofessor Wang Yujin of China University of Political Science and Law stated that the release of Ai on bail shows that the Chinese government could not find any solid evidence\npossible answers for question9:\nIn January 2012, in its International Review issue Art in America magazine featured an interview with Ai Weiwei at his home\npossible answers for question10:\nCANNOTANSWER\npossible answers for question11:\nAlthough he is allowed to leave Beijing, the police informed him that he is still prohibited from traveling to other countries because he is \"suspected of other crimes,\"\npossible answers for question12:\nincluding pornography, bigamy and illicit exchange of foreign currency."}
{"passage": "In June 2011, the Beijing Local Taxation Bureau demanded a total of over 12 million yuan (US$1.85 million) from Beijing Fa Ke Cultural Development Ltd. in unpaid taxes and fines, and accorded three days to appeal the demand in writing. According to Ai's wife, Beijing Fa Ke Cultural Development Ltd. has hired two Beijing lawyers as defense attorneys. Ai's family state that Ai is \"neither the chief executive nor the legal representative of the design company, which is registered in his wife's name.\"  Offers of donations poured in from Ai's fans across the world when the fine was announced. Eventually an online loan campaign was initiated on 4 November 2011, and close to 9 million RMB was collected within ten days, from 30,000 contributions. Notes were folded into paper planes and thrown over the studio walls, and donations were made in symbolic amounts such as 8964 (4 June 1989, Tiananmen Massacre) or 512 (12 May 2008, Sichuan earthquake). To thank creditors and acknowledge the contributions as loans, Ai designed and issued loan receipts to all who participated in the campaign. Funds raised from the campaign were used as collateral, required by law for an appeal on the tax case. Lawyers acting for Ai submitted an appeal against the fine in January 2012; the Chinese government subsequently agreed to conduct a review.  In June 2012, the court heard the tax appeal case. Ai's wife, Lu Qing, the legal representative of the design company, attended the hearing. Lu was accompanied by several lawyers and an accountant, but the witnesses they had requested to testify, including Ai, were prevented from attending a court hearing. Ai asserts that the entire matter - including the 81 days he spent in jail in 2011 - is intended to suppress his provocations. Ai said he had no illusions as to how the case would turn out, as he believes the court will protect the government's own interests. On 20 June, hundreds of Ai's supporters gathered outside the Chaoyang District Court in Beijing despite a small army of police officers, some of whom videotaped the crowd and led several people away. On 20 July, Ai's tax appeal was rejected in court. The same day Ai's studio released \"The Fake Case\" which tracks the status and history of this case including a timeline and the release of official documents. On 27 September, the court upheld the 2.4 million tax evasion fine. Ai had previously deposited 1.33 million in a government-controlled account in order to appeal. Ai said he will not pay the remainder because he does not recognize the charge.  In October 2012, authorities revoked the license of Beijing Fa Ke Cultural Development Ltd. for failing to re-register, an annual requirement by the administration. The company was not able to complete this procedure as its materials and stamps were confiscated by the government. CANNOTANSWER", "question": "question1: What happened with his tax case?\n answer : ?\nquestion2: What did he do?\n answer : ?\nquestion3: Are there any other interesting aspects about this article?\n answer : ?\nquestion4: Was he convicted?\n answer : ?\nquestion5: Did he pay the fines?\n answer : ?\nquestion6: Why did they do that?\n answer : ?\nquestion7: What other parts of this case interested you?\n answer : ?\nquestion8: Did this earn enough to pay his fines?\n answer : ?\nquestion9: How much did he pay?\n answer : ?\nquestion10: Did anything else happen after this?\n answer : ?\nquestion11: Did he find other employment?\n answer : ?", "answer": "possible answers for question1:\nBeijing Local Taxation Bureau demanded a total of over 12 million yuan (US$1.85 million) from Beijing Fa Ke Cultural Development Ltd. in unpaid taxes and fines,\npossible answers for question2:\ntax evasion\npossible answers for question3:\nthe court heard the tax appeal case. Ai's wife, Lu Qing, the legal representative of the design company,\npossible answers for question4:\nthe court upheld the 2.4 million tax evasion fine.\npossible answers for question5:\nOffers of donations poured in from Ai's fans across the world when the fine was announced.\npossible answers for question6:\nCANNOTANSWER\npossible answers for question7:\nannounced. Eventually an online loan campaign was initiated\npossible answers for question8:\nAi said he will not pay the remainder because he does not recognize the charge.\npossible answers for question9:\n1.33 million\npossible answers for question10:\nauthorities revoked the license of Beijing Fa Ke Cultural Development Ltd.\npossible answers for question11:\nCANNOTANSWER"}
{"passage": "Rogers was born in Latrobe, Pennsylvania, 40 miles (65 km) southeast of Pittsburgh, to James and Nancy Rogers; he had one sister, Elaine. Early in life, he spent much of his free time with his maternal grandfather, Fred McFeely, who had an interest in music. He would often sing along as his mother would play the piano, and he himself began playing at five. He obtained a pilot's license while still in high school.  Rogers graduated from Latrobe High School (1946). He studied at Dartmouth College (1946-48), then transferred to Rollins College in Winter Park, Florida, where he earned a B.A. in Music Composition in 1951. Rogers was also a trained general aviation pilot.  At Rollins, he met Sara Joanne Byrd (born c. 1928), an Oakland, Florida, native; they married on June 9, 1952. They had two sons, James (b. 1959) and John (b. 1961). In 1963, Rogers graduated from Pittsburgh Theological Seminary and was ordained a minister in the United Presbyterian Church in the U.S.A.  Rogers had an apartment in New York City and a summer home on Nantucket island in Massachusetts. Rogers was red-green color blind, swam every morning, and neither smoked nor drank. He was a vegetarian on ethical grounds, stating \"I don't want to eat anything that has a mother.\" Despite recurring rumors, he never served in the military.  His office at WQED Pittsburgh famously did not have a desk, only a sofa and armchairs, because Rogers thought a desk was \"too much of a barrier\". CANNOTANSWER", "question": "question1: when was fred rogers born?\n answer : ?\nquestion2: who were his parents?\n answer : ?\nquestion3: Are there any other interesting aspects about this article?\n answer : ?\nquestion4: what did he do instead of serving in the military?\n answer : ?\nquestion5: was rogers ever married?\n answer : ?", "answer": "possible answers for question1:\nRogers was born in Latrobe, Pennsylvania, 40 miles (65 km) southeast of Pittsburgh,\npossible answers for question2:\nJames and Nancy Rogers;\npossible answers for question3:\nDespite recurring rumors, he never served in the military.\npossible answers for question4:\nRogers graduated from Pittsburgh Theological Seminary and was ordained a minister in the United Presbyterian Church in the U.S.A.\npossible answers for question5:\nhe met Sara Joanne Byrd (born c. 1928), an Oakland, Florida, native; they married on June 9, 1952."}
{"passage": "During the controversy surrounding the introduction of the household VCR, Rogers was involved in supporting the manufacturers of VCRs in court. His 1979 testimony, in the case Sony Corp. of America v. Universal City Studios, Inc., noted that he did not object to home recordings of his television programs, for instance, by families in order to watch them together at a later time. This testimony contrasted with the views of others in the television industry who objected to home recordings or believed that devices to facilitate it should be taxed or regulated.  When the case reached the Supreme Court in 1983, the majority decision considered the testimony of Rogers when it held that the Betamax video recorder did not infringe copyright. The Court stated that his views were a notable piece of evidence \"that many [television] producers are willing to allow private time-shifting to continue\" and even quoted his testimony in a footnote:  Some public stations, as well as commercial stations, program the Neighborhood at hours when some children cannot use it ... I have always felt that with the advent of all of this new technology that allows people to tape the Neighborhood off-the-air, and I'm speaking for the Neighborhood because that's what I produce, that they then become much more active in the programming of their family's television life. Very frankly, I am opposed to people being programmed by others. My whole approach in broadcasting has always been \"You are an important person just the way you are. You can make healthy decisions.\" Maybe I'm going on too long, but I just feel that anything that allows a person to be more active in the control of his or her life, in a healthy way, is important. CANNOTANSWER", "question": "question1: Did Fred Rogers have anything to do with the development of the VCR?\n answer : ?\nquestion2: What was Roger's role in supporting the VCR\n answer : ?\nquestion3: Was Roger's in support of allowing recording TV programs at home?\n answer : ?\nquestion4: Besides testifying, did Roger's have any other role in the VCR's popularity?\n answer : ?", "answer": "possible answers for question1:\nRogers was involved in supporting the manufacturers of VCRs in court.\npossible answers for question2:\nHis 1979 testimony, in the case Sony Corp. of America v. Universal City Studios, Inc.,\npossible answers for question3:\ndid not object to home recordings of his television programs,\npossible answers for question4:\nCANNOTANSWER"}
{"passage": "While attending a charity gig at the Jordanstown Polytechnic in early 1989, Andy Cairns noticed Fyfe Ewing playing drums in a punk covers band. The two spoke afterwards and agreed to meet for rehearsal in Fyfe's house in Larne with Andy playing a small practice amp and Fyfe playing his kit with brushes. In the summer they recorded a four track demo tape (Thirty Seconds of Silence) with Andy playing a bass guitar borrowed from Fyfe's classmate Michael McKeegan. Deciding to play live, they recruited McKeegan and played their debut gig at the Belfast Art College supporting Decadence Within on 20 August 1989. They followed this up with another four track demo tape (Meat Abstract). Their sound was becoming highly influenced by artists of the indie rock movement such as The Jesus Lizard, Big Black, and The Membranes as well as new beat disco acts such as Belgian outfit Erotic Dissidents.  Therapy? released its first single, called Meat Abstract in July 1990. The single was limited to 1000 copies, and released on the bands' own Multifuckinational Records. During the summer of that year, the band made its first tour through the United Kingdom with The Beyond, catching the attention of influential DJ John Peel along the way. The band's early years followed the familiar pattern of hard graft on the local alternative music scene, with Cairns often putting in a full day at the Michelin tyre factory (where he worked as a quality controller), then speeding across Northern Ireland in order to make it to gigs. The band also took whatever support slot they could, opening for the likes of Loop, Ride, Teenage Fanclub, Inspiral Carpets, Tad, Fugazi and Ned's Atomic Dustbin. Therapy? quickly came to the attention of local music fans with their distinctively uncompromising style. Their use of guitar feedback as a \"fourth instrument\" and unconventional song structures, combined with a darkly original approach to lyrics and imaginative use of samples pulled from cult movies and obscure documentaries, led them to be spotted in 1990 by London-based independent label Wiiija Records. The move was helped by Lesley Rankine of Silverfish, who passed the band's first single on to Gary Walker of Wiiija.  The band's first album, July 1991's Babyteeth, and its January 1992 follow up, Pleasure Death, were successful enough to earn the band a major label deal with A&M Records. Both albums were underground successes, hitting number 1 in the UK Indie Charts. The attention led to support slots with both Babes In Toyland and Hole on their respective UK tours. A compilation of the two albums entitled Caucasian Psychosis was prepared for the North American market, and the band embarked on their first U.S. tour in October 1992.  Their debut A&M record, Nurse, made its way into UK's Top 40 Album Chart in November 1992, while lead single \"Teethgrinder\" became the band's first Top 40 single in both the UK and Ireland. The grunge revolution was in full swing, with US outfit Nirvana leading the way. Predictably, the media began to draw comparisons between the two bands. The heavy guitars and inventive drumming that was swiftly becoming Therapy?'s trademark led them more towards the grunge camp than away from it. CANNOTANSWER", "question": "question1: What happened in 1989?\n answer : ?\nquestion2: How long did it take them to tour?\n answer : ?\nquestion3: Did they do anything in 1991?\n answer : ?\nquestion4: Was there any other albums I should know about?\n answer : ?\nquestion5: Did they go on tour?\n answer : ?\nquestion6: Was it successful?\n answer : ?\nquestion7: What did DJ John Peel do?\n answer : ?", "answer": "possible answers for question1:\nplayed their debut gig at the Belfast Art College supporting Decadence Within on 20 August 1989.\npossible answers for question2:\nDuring the summer of that year, the band made its first tour through the United Kingdom\npossible answers for question3:\nThe band's first album, July 1991's Babyteeth,\npossible answers for question4:\nJanuary 1992 follow up, Pleasure Death, were successful enough to earn the band a major label deal\npossible answers for question5:\nDuring the summer of that year, the band made its first tour through the United Kingdom\npossible answers for question6:\ntour through the United Kingdom with The Beyond, catching the attention of influential DJ John Peel along the way.\npossible answers for question7:\nCANNOTANSWER"}
{"passage": "If there was one true \"breakthrough\" year in the band's history, it would almost certainly be 1993. The release of the Shortsharpshock EP catapulted Therapy? into the Top 40, peaking at nine, featuring the lead track Screamager. The single led to the first of several appearances on the venerable UK music show Top of the Pops. Two more UK Top 40 EPs Face the Strange and Opal Mantra followed, as the band toured heavily on the European festival circuit, made two separate jaunts to the United States in support of Kings X initially, and then both Helmet and The Jesus Lizard, and played their debut shows in Japan. Compilations of the three EP's were released in the U.S. and Japan (Hats Off to the Insane), and in Europe (Born in a Crash).  1994 saw the release of the commercially successful Troublegum album in February which earned the band appearances at a string of rock and indie festivals, including Reading (third consecutive appearance), Donington and Phoenix in the UK alone, as well as a clutch of Top 40 singles. It achieved a string of nominations in end-of-year polls, including a Mercury Music Prize nomination, and success at the Kerrang! Awards.  With impatience mounting for a new album, Infernal Love was released in June 1995. This time, the press reaction was lukewarm. The band had attempted to create a \"cinematic\" record with Belfast DJ David Holmes employed to link each track with \"insanity\", but in the eyes of many, had produced a disjointed piece over-subscribed with ballads. Despite a second consecutive Donington appearance at Metallica's request, and singles Stories and Loose charting in the UK earlier in the year, it was clear that Therapy? had changed direction. Although the string laden single Diane was a Top 10 hit in 15 European countries later in the year, much of the early momentum had gone. CANNOTANSWER", "question": "question1: Did they release any albums in 1993?\n answer : ?\nquestion2: Were they on the charts?\n answer : ?\nquestion3: Did they do any songs with other popular artists?\n answer : ?\nquestion4: Did they win an awards?\n answer : ?\nquestion5: Did they release any other albums during this time?\n answer : ?\nquestion6: Did they go on tour?\n answer : ?\nquestion7: Did they make any music videos?\n answer : ?", "answer": "possible answers for question1:\nThe release of the Shortsharpshock EP catapulted Therapy\npossible answers for question2:\nTop 40, peaking at nine, featuring the lead track Screamager.\npossible answers for question3:\nKings X initially, and then both Helmet and The Jesus Lizard,\npossible answers for question4:\nIt achieved a string of nominations in end-of-year polls, including a Mercury Music Prize nomination, and success at the Kerrang! Awards.\npossible answers for question5:\n1994 saw the release of the commercially successful Troublegum album\npossible answers for question6:\nstring of rock and indie festivals, including Reading (third consecutive appearance), Donington and Phoenix in the UK alone,\npossible answers for question7:\nCANNOTANSWER"}
{"passage": "Carson was born in Detroit, Michigan, to Robert Solomon Carson, Jr. (1914-1992), a World War II U.S. Army veteran, and his wife, Sonya Carson (nee Copeland; 1928-2017). Robert Carson was a Baptist minister, but later a Cadillac automobile plant laborer. Both of his parents came from large families in rural Georgia, and they were living in rural Tennessee when they met and married. Carson's mother was 13 and his father was 28 when they married, and after his father finished his military service, they moved from Chattanooga, Tennessee to Detroit, where they lived in a large house in the Indian Village neighborhood. Carson's older brother, Curtis, was born in 1949, when his mother was 20. In 1950, Carson's parents purchased a new 733-square foot single-family detached home on Deacon Street in the Boynton neighborhood in southwest Detroit.  Carson's Detroit Public Schools education began in 1956 with kindergarten at the Fisher School, and continued through first, second, and the first half of third grade, during which time he was an average student. When Carson was five, his mother learned that his father had a prior family and had not divorced his first wife. In 1959, when Carson was eight, his parents separated and he moved with mother and brother to live for two years with his mother's Seventh-day Adventist older sister and her sister's husband in multi-family dwellings in the Dorchester and Roxbury neighborhoods of Boston. In Boston, Carson's mother attempted suicide, had several psychiatric hospitalizations for depression, and for the first time began working outside the home as a domestic worker, while Carson and his brother attended a two-classroom school at the Berea Seventh-day Adventist church where two teachers taught eight grades, and the vast majority of time was spent singing songs and playing games.  In 1961, when Carson was ten, he moved with his mother and brother back to southwest Detroit, where they lived in a multi-family dwelling in a primarily white neighborhood (Springwells Village) across the railroad tracks from the Delray neighborhood, while renting out their house on Deacon Street which his mother received in a divorce settlement. When they returned to Detroit public schools, Carson and his brother's academic performance initially lagged far behind their new classmates, having essentially lost a year of school by attending a Seventh-day Adventist church school in Boston, but both improved when their mother limited their time watching television and required them to read and write book reports on two library books per week. Carson attended the predominantly white Higgins Elementary School for fifth and sixth grades and the predominantly white Wilson Junior High School for seventh and the first half of eighth grade. In 1965, when Carson was 13, he moved with his mother and brother back to their house on Deacon Street. He attended the predominantly black Hunter Junior High School for the second half of eighth grade. When he was eight, Carson had dreamed of becoming a missionary doctor, but five years later he aspired to the lucrative lifestyles of psychiatrists portrayed on television, and his brother bought him a subscription to Psychology Today for his 13th birthday. CANNOTANSWER", "question": "question1: Where was be born?\n answer : ?\nquestion2: Does he have siblings?\n answer : ?\nquestion3: Where did Ben attend school?\n answer : ?\nquestion4: Who are his parents?\n answer : ?\nquestion5: Who is his mother?\n answer : ?\nquestion6: What did she do for a living?\n answer : ?\nquestion7: What did his father do for a living?\n answer : ?\nquestion8: Where did he grow up?\n answer : ?", "answer": "possible answers for question1:\nDetroit, Michigan,\npossible answers for question2:\nCarson's older brother, Curtis, was born in 1949,\npossible answers for question3:\na two-classroom school at the Berea Seventh-day Adventist church\npossible answers for question4:\nRobert Solomon Carson, Jr.\npossible answers for question5:\nSonya Carson (nee Copeland; 1928-2017).\npossible answers for question6:\nCANNOTANSWER\npossible answers for question7:\nRobert Carson was a Baptist minister, but later a Cadillac automobile plant laborer.\npossible answers for question8:\nthey moved from Chattanooga, Tennessee to Detroit,"}
{"passage": "By ninth grade, the family's financial situation had improved, his mother surprising neighbors by paying cash to buy a new Chrysler car, and the only government assistance they still relied on was food stamps. Carson attended the predominantly black Southwestern High School for ninth through 12th grades, graduating third in his class academically. In high school he played the baritone horn in the band, and participated in forensics (public speaking), chess club, and the U.S. Army Junior Reserve Officers' Training Corps (JROTC) program where he reached its highest rank--cadet colonel. Carson served as a laboratory assistant in the high school's biology, chemistry, physics school laboratories beginning in 10th, 11th, and 12th grade, respectively, and worked as a biology laboratory assistant at Wayne State University the summer between 11th and 12th grades.  In his book Gifted Hands, Carson relates that as a youth he had a violent temper. \"As a teenager, I would go after people with rocks, and bricks, and baseball bats, and hammers,\" Carson told NBC's Meet the Press in October 2015. He said he once tried to hit his mother on the head with a hammer over a clothing dispute, while in the ninth grade he tried to stab a friend who had changed the radio station. Fortunately, the blade broke in his friend's belt buckle. Carson said that the intended victim, whose identity he wants to protect, was a classmate, a friend, or a close relative. After this incident, Carson said that he began reading the Book of Proverbs and applying verses on anger. As a result, he states he \"never had another problem with temper\". In his various books and at campaign events, he repeated these stories and said he once attacked a schoolmate with a combination lock. Nine friends, classmates, and neighbors who grew up with him told CNN in 2015 they did not remember the anger or violence he has described. In response, Carson posted on Facebook a 1997 Parade Magazine issue, in which his mother verified the stabbing incident. He then questioned the extent of the effort CNN had exerted in the investigation.  He has said that he protected white students in a biology lab after a race riot broke out at his high school in response to the assassination of Martin Luther King Jr. in 1968. The Wall Street Journal confirmed the riot but could not find anyone who remembered Carson sheltering white students. CANNOTANSWER", "question": "question1: Where did Carson attend high school\n answer : ?\nquestion2: What years did Carson attend Southwestern High School\n answer : ?\nquestion3: Did Carson participate in any extra curricular activities in High School\n answer : ?\nquestion4: Was he involved in any sports\n answer : ?\nquestion5: did he win any awards in band or forensics\n answer : ?\nquestion6: Was he popular in High School\n answer : ?\nquestion7: id he get into trouble often when he was in High School\n answer : ?\nquestion8: What other trouble did he get into in high school\n answer : ?", "answer": "possible answers for question1:\nSouthwestern High School\npossible answers for question2:\nninth through 12th grades,\npossible answers for question3:\nplayed the baritone horn in the band, and participated in forensics (\npossible answers for question4:\nCANNOTANSWER\npossible answers for question5:\nCANNOTANSWER\npossible answers for question6:\nHands, Carson relates that as a youth he had a violent temper. \"As a teenager, I would go after people with rocks, and bricks, and baseball bats, and hammers,\"\npossible answers for question7:\nwhile in the ninth grade he tried to stab a friend who had changed the radio station.\npossible answers for question8:\nCANNOTANSWER"}
{"passage": "This part mostly concerns romantic events at the court of Louis XIV. Raoul de Bragelonne finds his childhood sweetheart, Louise de La Valliere, is maid of honour to the Princess. Fearing a tarnishing of Louise's reputation by affairs at court, Raoul seeks to marry her. His father, Athos, the Comte de la Fere, disapproves, but eventually, out of love for his son, reluctantly agrees. The king, however, refuses to sanction the marriage because Louise is of inferior social status, and so marriage is delayed.  Meanwhile, the struggle for power begins between Fouquet and Colbert. Louis attempts to impoverish Fouquet by asking for money to pay for a grand fete at Fontainebleau. Meanwhile, Aramis meets the governor of the Bastille M. de Baisemeaux, and learns of a secret prisoner who bears a striking resemblance to Louis XIV. Aramis uses this secret to persuade the dying general of the Jesuits to name him his successor.  After Buckingham leaves France, the Comte de Guiche grows besotted with Henrietta, as soon does Louis XIV. To avoid her new husband being jealous Henrietta suggests that the king choose a young lady at court to act as a smokescreen for their flirtation. They select Louise de la Valliere for this part, but during the fete, the king overhears Louise confess her attraction for him to friends, and promptly forgets his affection for Henrietta. That same night Henrietta hears de Guiche confess his love for her to Raoul. The two pursue their own love affair. Aware of Louise's attachment, the king sends Raoul to England indefinitely as a diplomatic envoy.  Rumours of the king's love affair cause friction with de Wardes, who has inherited from his father a hatred of d'Artagnan and all those associated with him. De Guiche is forced to fight a duel with him and is defeated and seriously wounded. The incident is the last straw for Madame Henrietta who resolves to dismiss Louise from her service as Maid of Honour. The king dissuades Henrietta, but she prevents the king from seeing Louise. The king circumvents Henrietta, and so she contacts her brother King Charles II, imploring him to eject Raoul from England. On his return to France, Raoul is heartbroken to discover Louise in the arms of the king.  Athos finds out everything and spits his contempt at Louis XIV. The young King orders Athos's imprisonment, but D'Artagnan convinces him to release him. CANNOTANSWER", "question": "question1: Was chapter 94 eventful?\n answer : ?\nquestion2: How does it progress from there to chapter 180?\n answer : ?\nquestion3: Do they get married?\n answer : ?\nquestion4: What do they do during the delay?\n answer : ?\nquestion5: Is successful in doing so?\n answer : ?\nquestion6: Then what happens?\n answer : ?\nquestion7: Do they get caught?\n answer : ?\nquestion8: Are there any other interesting aspects about this article?\n answer : ?\nquestion9: Does she stay?\n answer : ?\nquestion10: Does he choose one?\n answer : ?\nquestion11: What does she do?\n answer : ?", "answer": "possible answers for question1:\nThis part mostly concerns romantic events at the court of Louis XIV.\npossible answers for question2:\nFearing a tarnishing of Louise's reputation by affairs at court, Raoul seeks to marry her.\npossible answers for question3:\nThe king, however, refuses to sanction the marriage because Louise is of inferior social status, and so marriage is delayed.\npossible answers for question4:\nthe struggle for power begins between Fouquet and Colbert. Louis attempts to impoverish Fouquet by asking for money\npossible answers for question5:\nduring the fete, the king overhears Louise confess her attraction for him to friends,\npossible answers for question6:\nThat same night Henrietta hears de Guiche confess his love for her to Raoul. The two pursue their own love affair.\npossible answers for question7:\nAware of Louise's attachment, the king sends Raoul to England indefinitely as a diplomatic envoy.\npossible answers for question8:\nAfter Buckingham leaves France, the Comte de Guiche grows besotted with Henrietta,\npossible answers for question9:\nHenrietta suggests that the king choose a young lady at court to act as a smokescreen for their flirtation.\npossible answers for question10:\nThey select Louise de la Valliere for this part,\npossible answers for question11:\nCANNOTANSWER"}
{"passage": "After 35 years of loyal service, d'Artagnan resigns as lieutenant of the Musketeers as he perceives the young king Louis XIV as weak-willed. He resolves to aid the exiled Charles II to retake the throne of England, unaware that Athos is attempting the same. With their assistance Charles II is restored to the throne and d'Artagnan is rewarded richly.  In France, Cardinal Mazarin has died, leaving Louis to assume power with Jean-Baptiste Colbert as his finance minister. Colbert has an intense hatred for his superior the king's Superintendent of Finances, Nicolas Fouquet, and tries to bring about his fall. He brings to the king's attention that Fouquet is fortifying his fief of Belle Ile secretly. Louis persuades d'Artagnan to re-enter his service, and tasks him to investigate Belle Ile, promising him a substantial salary and promotion to Captain of the King's Musketeers on his return. Louis, finally growing into a decisive ruler, also accepts an offer relayed by Athos from Charles II to marry his brother Philippe I, Duke of Orleans to Charles' sister Henrietta Anne Stuart.  D'Artagnan confirms that Belle Ile is being fortified and the architect ostensibly in charge is Porthos, though the blueprints show the handwriting of Aramis, who is now the bishop of Vannes. Aramis, suspicious of d'Artagnan, sends Porthos back to Paris to warn Fouquet, whilst tricking d'Artagnan into searching for Porthos around Vannes. Porthos warns Fouquet in the nick of time, and he cedes Belle Ile to the king, humiliating Colbert. On returning from the mission, d'Artagnan is made Captain of the King's Musketeers anyway.  Meanwhile, Princess Henrietta arrives in France escorted by the second Duke of Buckingham, to be met by an embassy consisting of Raoul de Bragelonne, his close friend Armand de Gramont, Comte de Guiche, and the Comte de Wardes, son of the previous Comte de Wardes from The Three Musketeers. The erratic Buckingham is madly in love with the princess and can scarcely conceal it, while Guiche soon finds himself equally smitten. Philippe, though little attracted to women, becomes horribly jealous of Buckingham and has him exiled after the wedding. CANNOTANSWER", "question": "question1: What can you tell me about this?\n answer : ?\nquestion2: Why would that make him resign?\n answer : ?\nquestion3: What happened next?\n answer : ?\nquestion4: How does he help Charles?\n answer : ?\nquestion5: What happened next?\n answer : ?\nquestion6: How did he do once he was in power?\n answer : ?\nquestion7: Are there any other interesting aspects about this article?\n answer : ?\nquestion8: What did the king do?\n answer : ?\nquestion9: What did he find during his investigation?\n answer : ?\nquestion10: Is there anything else of note?\n answer : ?", "answer": "possible answers for question1:\nAfter 35 years of loyal service, d'Artagnan resigns as lieutenant of the Musketeers as he perceives the young king Louis XIV as weak-willed.\npossible answers for question2:\nCANNOTANSWER\npossible answers for question3:\nHe resolves to aid the exiled Charles II to retake the throne of England, unaware that Athos is attempting the same.\npossible answers for question4:\nWith their assistance Charles II is restored to the throne and d'Artagnan is rewarded richly.\npossible answers for question5:\nIn France, Cardinal Mazarin has died, leaving Louis to assume power with Jean-Baptiste Colbert as his finance minister.\npossible answers for question6:\nColbert has an intense hatred for his superior the king's Superintendent of Finances, Nicolas Fouquet, and tries to bring about his fall.\npossible answers for question7:\nHe brings to the king's attention that Fouquet is fortifying his fief of Belle Ile secretly.\npossible answers for question8:\nLouis persuades d'Artagnan to re-enter his service, and tasks him to investigate Belle Ile, promising him a substantial salary and promotion to Captain of the King's Musketeers on his return.\npossible answers for question9:\nD'Artagnan confirms that Belle Ile is being fortified and the architect ostensibly in charge is Porthos,\npossible answers for question10:\nAramis, suspicious of d'Artagnan, sends Porthos back to Paris to warn Fouquet, whilst tricking d'Artagnan into searching for Porthos"}
{"passage": "Nolan Ryan's post-retirement business interests include ownership of two minor league teams: the Corpus Christi Hooks, which play in the Class AA Texas League, and the Round Rock Express, a Class AAA team in the Pacific Coast League. Both teams were affiliates of the Houston Astros, for whom Ryan also served as a special assistant to the general manager until selling his interest in the team in the off-season between 2004 and 2005. He became the president of the Texas Rangers in 2008. The Express became the Rangers' AAA affiliate beginning in 2010; the Hooks are still the Astros' AA affiliate and were purchased by the Astros in 2013 when Nolan's son, Reid Ryan, took office as President of the Houston Astros.  Ryan threw out the ceremonial first pitch before Game 3 of the 2005 World Series between the Astros and the White Sox, the first World Series game ever played in Texas. That game went 14 innings, equaling the longest in innings in World Series history (at 5:41, it was the longest in time). ESPN wryly suggested the Astros might have needed to pull the 58-year-old Ryan out of retirement if the game had gone much longer.  Ryan has co-written six books: autobiographies Miracle Man (with Jerry Jenkins, 1992), Throwing Heat (with Harvey Frommer, 1988) and The Road to Cooperstown (with Mickey Herskowitz and T.R. Sullivan, 1999); Kings of the Hill (with Mickey Herskowitz, 1992), about contemporary pitchers; and instructional books Pitching and Hitting (with Joe Torre and Joel Cohen, 1977), and Nolan Ryan's Pitcher's Bible (with Tom House, 1991).  In addition to his baseball activities, Ryan was majority owner and chairman of Express Bank of Alvin but sold his interest in 2005. He also owned a restaurant in Three Rivers, Texas. He served on the Texas Parks and Wildlife Commission from 1995 to 2001. He appeared as a TV spokesman for Advil for several years, promoting the pain medication he recommended for his own arm. He also has appeared in various television commercials shown in the Texas market.  After retiring from baseball, Ryan teamed up with the federal government to promote physical fitness. His likeness was used in the \"Nolan Ryan Fitness Guide\", published by The President's Council on Physical Fitness and Sports in 1994. Ryan suffered a heart attack on April 25, 2000, and had to receive a double coronary bypass. CANNOTANSWER", "question": "question1: what did Nolan do later in life?\n answer : ?\nquestion2: what are the 2 minor league teams he owns?\n answer : ?\nquestion3: when did he retire from playing?\n answer : ?\nquestion4: is there anything else interesting about what he did after retirement?\n answer : ?", "answer": "possible answers for question1:\nNolan Ryan's post-retirement business interests include ownership of two minor league teams:\npossible answers for question2:\nCorpus Christi Hooks, which play in the Class AA Texas League,\npossible answers for question3:\nCANNOTANSWER\npossible answers for question4:\nRyan threw out the ceremonial first pitch before Game 3 of the 2005 World Series between the Astros and the White Sox,"}
{"passage": "Baker portrayed a pacifist Quaker schoolteacher in John Ford's Cheyenne Autumn (1964), and received critical acclaim for the role. She then had a supporting role as Saint Veronica in George Stevens' The Greatest Story Ever Told (1965), and portrayed a cynical, alcoholic movie star in The Carpetbaggers (1964), which brought her a second wave of notoriety in spite of the film's lackluster reviews. The New York Times called the film \"a sickly sour distillation\" of the source novel, but said Baker's performance \"brought some color and a sandpaper personality as the sex-loaded widow.\" The film was the top moneymaker of that year, with domestic box-office receipts of $13,000,000, and marked the beginning of a tumultuous relationship with the film's producer, Joseph E. Levine.  Based on her Carpetbaggers performance, Levine began to develop Baker as a movie sex symbol, and she appeared posing in the December 1964 issue of Playboy. She was subsequently cast by Levine in the title roles of two 1965 potboilers-- Sylvia, as an ex-prostitute and con artist, and as Jean Harlow in Harlow. Baker appeared on the cover of the Saturday Evening Post on their November 2, 1963, issue dressed as Harlow, promoting the film's upcoming production. In 1965, she became an official celebrity spokesperson for Foster Grant sunglasses and appeared in advertisements for the company. Baker likened this era of her career to \"being a beauty contest winner [as opposed to] an actress.\"  Despite much prepublicity, Harlow received a lukewarm response from critics: Variety referred to Baker's portrayal of Harlow as \"a fairly reasonable facsimile, although she lacks the electric fire of the original.\" Relations between Baker and Levine soured; in a 1965 interview, Baker sardonically commented: \"I'll say this about Joe Levine: I admire his taste in leading ladies,\" which led the press to suspect a rift between the actress and producer. Baker sued Levine over her contract with Paramount Pictures in 1966, and was ultimately fired by Paramount and had her paychecks from Harlow frozen amid the contentious legal dispute; this left Baker hundreds of thousands of dollars in debt (however, she was eventually awarded $1 million in compensation).  In an interview with Rex Reed in his book People Are Crazy Here (1974), Baker revealed that she had felt pressure in both her working relationship with Levine, and her domestic life with her husband, the latter of whom she said wanted to maintain an expensive lifestyle: \"We'd been very poor when we started out at the Actors Studio in New York,\" she told Reed. \"I was under contract to Joe Levine, who was going around giving me diamonds and behaving like he owned me. I never slept with him or anything, but everyone thought I was his mistress.\" In the spring of 1966, Baker returned to theatre, performing in a production of Anna Christie at the Huntington Hartford Theater in Los Angeles. The production was directed by Garfein. The production was heralded as the \"theatre event of the week\" in Los Angeles, though its reception was middling. Cecil Smith of The Los Angeles Times wrote of the production: \"The beautiful Miss Baker's vehicle becomes a hearse.\" The play was also performed at the Tappan Zee Playhouse in Nyack, New York in June 1966. CANNOTANSWER", "question": "question1: what happened in 1964?\n answer : ?\nquestion2: what else happened after that?\n answer : ?\nquestion3: what happened in 1965?\n answer : ?\nquestion4: Was she successful?\n answer : ?\nquestion5: What were some sex symbol roles?\n answer : ?\nquestion6: Did she have any other sex symbol roles?\n answer : ?\nquestion7: What did people say about this?\n answer : ?\nquestion8: What other sex symbols was she known for?\n answer : ?", "answer": "possible answers for question1:\nBaker portrayed a pacifist Quaker schoolteacher in John Ford's Cheyenne Autumn (1964), and\npossible answers for question2:\nreceived critical acclaim for the role.\npossible answers for question3:\nShe then had a supporting role as Saint Veronica in George Stevens' The Greatest Story Ever Told\npossible answers for question4:\nwhich brought her a second wave of notoriety in spite of the film's lackluster reviews.\npossible answers for question5:\nshe appeared posing in the December 1964 issue of Playboy.\npossible answers for question6:\nShe was subsequently cast by Levine in the title roles of two 1965 potboilers-- Sylvia, as an ex-prostitute and con artist,\npossible answers for question7:\nmiddling. Cecil Smith of The Los Angeles Times wrote of the production: \"The beautiful Miss Baker's vehicle becomes a hearse.\"\npossible answers for question8:\nproduction. In 1965, she became an official celebrity spokesperson for Foster Grant sunglasses"}
{"passage": "Baker separated from her second husband, Jack Garfein, in 1967, and moved to Europe with her two children to pursue a career there after struggling to find work in Hollywood. Eventually settling in Rome, Italy, Baker became fluent in Italian and spent the next several years starring in hard-edged Italian thrillers, exploitation, and horror films. In 1966, Baker had been invited to the Venice International Film Festival, where she met director Marco Ferreri, who asked her to play the lead role in Her Harem (1967). This was followed with the horror films The Sweet Body of Deborah (1968) and The Devil Has Seven Faces (1971). Baker also starred in So Sweet... So Perverse (1969), Paranoia (1969), A Quiet Place to Kill (1970), and Il coltello di ghiaccio (Knife of Ice) (1972), all horror films directed by Italian filmmaker Umberto Lenzi.  Many of these films feature her in roles as distressed women, and often showed Baker in nude scenes, which few major Hollywood actors were willing to do at the time. Baker became a favorite of Umberto Lenzi, with her best-known role being in the aforementioned Paranoia, where she played a wealthy widow tormented by two sadistic siblings. In his review of Paranoia, Roger Ebert said: \"Carroll Baker, who was a Hollywood sex symbol (for some, it is said) until she sued Joe Levine and got blacklisted, has been around. She may not be an actress, but she can act. In The Carpetbaggers, there was a nice wholesome vulgarity to her performance. She is not intrinsically as bad as she appears in Paranoia. I think maybe she was saying the hell with it and having a good time.\" As with Paranoia, the majority of the films she made in Italy received poor critical reception in the United States, though they afforded Baker--who had left Hollywood in debt and with two children to support-- an income, as well as fame abroad. In retrospect, Baker commented on her career in Italy and on her exploitation film roles, saying: \"I think I made more films [there] than I made in Hollywood, but the mentality is different. What they think is wonderful is not what we might ... it was marvelous for me because it really brought me back to life, and it gave me a whole new outlook. It's wonderful to know about a different world.\"  She followed her roles in Lenzi's films with a leading role in Corrado Farina's Baba Yaga (1973) as the titular witch, alongside Isabelle De Funes and George Eastman. TV Guide referred to the film as an \"exceptionally handsome example of 1970s Italian pop-exploitation filmmaking sweetened by Piero Umilani's lounge-jazz score,\" and praised Baker's performance, but noted that she was \"physically wrong for the role; her elaborate lace-and-beribboned costumes sometimes make her look more like a fleshy Miss Havisham than a sleekly predatory sorceress\". CANNOTANSWER", "question": "question1: When did Baker appear in her first European film?\n answer : ?\nquestion2: What was it called?\n answer : ?\nquestion3: Did she star with anyone noteworthy?\n answer : ?\nquestion4: What was the next film she was in?\n answer : ?\nquestion5: Did the horror films do well?\n answer : ?\nquestion6: What can you tell me about her European success?\n answer : ?\nquestion7: What did Baker think of her time in Italy?\n answer : ?\nquestion8: Did she work other places than Italy?\n answer : ?", "answer": "possible answers for question1:\n1967\npossible answers for question2:\nHer Harem\npossible answers for question3:\nCANNOTANSWER\npossible answers for question4:\nThis was followed with the horror films The Sweet Body of Deborah (1968) and The Devil Has Seven Faces (1971).\npossible answers for question5:\nBaker also starred in So Sweet... So Perverse (1969), Paranoia (1969), A Quiet Place to Kill (1970),\npossible answers for question6:\nabroad. In retrospect, Baker commented on her career in Italy and on her exploitation film roles, saying:\npossible answers for question7:\n\"I think I made more films [there] than I made in Hollywood, but the mentality is different.\npossible answers for question8:\nCANNOTANSWER"}
{"passage": "The phrase \"girl power\" put a name to a social phenomenon, but the slogan was met with mixed reactions. The phrase was a label for the particular facet of post classical neo-feminist empowerment embraced by the band: that a sensual, feminine appearance and equality between the sexes need not be mutually exclusive. This concept was by no means original in the pop world: both Madonna and Bananarama had employed similar outlooks. The phrase itself had also appeared in a few songs by British girl groups and bands since at least 1987; most notably, it was the name of British pop duo Shampoo's 1996 single and album, later credited by Halliwell as the inspiration for the Spice Girls' mantra.  However, it was not until the emergence of the Spice Girls in 1996 with \"Wannabe\", that the concept of \"girl power\" exploded onto the common consciousness. The phrase was regularly uttered by all five members--although most closely associated with Halliwell--and was often delivered with a peace sign. The slogan also featured on official Spice Girls merchandise and on some of the outfits the group members wore. The Spice Girls' version was distinctive. Its message of empowerment appealed to young girls, adolescents and adult women, and it emphasised the importance of strong and loyal friendship among females.  In all, the focused, consistent presentation of \"girl power\" formed the centrepiece of their appeal as a band. Some commentators credit the Spice Girls with reinvigorating mainstream feminism--popularized as \"girl power\"--in the 1990s, with their mantra serving as a gateway to feminism for their young fans. On the other hand, some critics dismissed it as no more than a shallow marketing tactic, while others took issue with the emphasis on physical appearance, concerned about the potential impact on self-conscious and/or impressionable youngsters. Regardless, the phrase became a cultural phenomenon, adopted as the mantra for millions of girls and even making it into the Oxford English Dictionary. In summation of the concept, author Ryan Dawson said, \"The Spice Girls changed British culture enough for Girl Power to now seem completely unremarkable.\"  The Spice Girls' debut single \"Wannabe\" has been hailed as an \"iconic girl power anthem\". In 2016, the United Nations' Global Goals \"#WhatIReallyReallyWant\" campaign filmed a global remake of the original music video for \"Wannabe\" to highlight gender inequality issues faced by women across the world. The video, which was launched on YouTube and ran in movie theatres internationally, featured British girl group M.O, Canadian \"viral sensation\" Taylor Hatala, Nigerian-British singer Seyi Shay and Bollywood actress Jacqueline Fernandez lip-syncing to the song in various locations around the world. In response to the remake, Beckham said, \"How fabulous is it that after 20 years the legacy of the Spice Girls' girl power is being used to encourage and empower a whole new generation?\"  At the 43rd People's Choice Awards in January 2017, American actress Blake Lively dedicated her \"Favorite Dramatic Movie Actress\" award to \"girl power\" in her acceptance speech, and credited the Spice Girls, saying: \"What was so neat about them was that they're all so distinctly different, and they were women, and they owned who they were, and that was my first introduction into girl power.\" CANNOTANSWER", "question": "question1: What was Girl power?\n answer : ?\nquestion2: What were the reactions it was met with?\n answer : ?\nquestion3: Did anyone dislike the message?\n answer : ?\nquestion4: What was the appearance issue?\n answer : ?\nquestion5: Around what year was girl power of influence?\n answer : ?\nquestion6: What else did you find interesting in this section?\n answer : ?\nquestion7: What types of things made them so unique?\n answer : ?\nquestion8: What else did you find interesting in this section?\n answer : ?\nquestion9: What did she say?\n answer : ?\nquestion10: When did that happen?\n answer : ?\nquestion11: Have they received any awards or high reviews?\n answer : ?", "answer": "possible answers for question1:\nphrase \"girl power\" put a name to a social phenomenon, but the slogan was met with mixed reactions.\npossible answers for question2:\nmessage of empowerment appealed to young girls, adolescents and adult women, and it emphasised the importance of strong and loyal friendship among females.\npossible answers for question3:\nsome critics dismissed it as no more than a shallow marketing tactic, while others took issue with the emphasis on physical appearance,\npossible answers for question4:\nconcerned about the potential impact on self-conscious and/or impressionable youngsters.\npossible answers for question5:\nCANNOTANSWER\npossible answers for question6:\n\"What was so neat about them was that they're all so distinctly different, and they were women, and they owned who they were,\npossible answers for question7:\nSpice Girls' girl power is being used to encourage and empower a whole new generation?\"\npossible answers for question8:\nBlake Lively dedicated her \"Favorite Dramatic Movie Actress\" award to \"girl power\" in her acceptance speech, and credited the Spice Girls, saying:\npossible answers for question9:\nthey're all so distinctly different, and they were women, and they owned who they were, and that was my first introduction into girl power.\"\npossible answers for question10:\nAt the 43rd People's Choice Awards in January 2017,\npossible answers for question11:\nHow fabulous is it that after 20 years the legacy of the Spice Girls' girl power is being used to encourage and empower a whole new generation?\""}
{"passage": "While on tour in the United-States, the group continued to record new material and released a new song, \"Goodbye\", before Christmas in 1998. The song was seen as a tribute to Geri Halliwell, and when it topped the UK Singles Chart it became their third consecutive Christmas number-one - equalling the record previously set by the Beatles. Later in 1998, Bunton and Chisholm appeared at the 1998 MTV Europe Music Awards without their other band members, and the group won two awards: \"Best Pop Act\" and \"Best Group\" for a second time. In late 1998, Brown and Adams announced they were both pregnant; Brown was married to dancer Jimmy Gulzer and became known as Mel G for a brief period. She gave birth to daughter Phoenix Chi in February 1999. One month later, Adams gave birth to son Brooklyn, whose father was then Manchester United footballer David Beckham. Later that year, she married Beckham in a highly publicised wedding in Ireland.  The Spice Girls returned to the studio in August 1999, after an eight-month recording break to start work on their third and last studio album. The album's sound was initially more pop-influenced, similar to their first two albums, and included production from Eliot Kennedy. The album's sound took a mature direction when American producers like Rodney Jerkins, Jimmy Jam and Terry Lewis came on to collaborate with the group. In December 1999 they performed live for a UK-only tour, Christmas in Spiceworld, in London and Manchester, also showcasing new songs from the third album. During 1999, the group recorded the character Amneris' song \"My Strongest Suit\" in Elton John and Tim Rice's Aida, a concept album which would later go on to fuel the musical version of Verdi's Aida. The band performed again at the 2000 Brit Awards, where they received a Lifetime Achievement Award. Despite being at the event, Halliwell did not join her former bandmates on stage. In November 2000, the group released Forever. Sporting a new edgier R&B sound, the album received a lukewarm response from critics.  In the US, the album peaked at number thirty-nine on the Billboard 200 albums chart. In the UK, the album was released the same week as Westlife's Coast to Coast album and the chart battle was widely reported by the media, where Westlife won the battle reaching number one in the UK, leaving the Spice Girls at number two. The lead single from Forever, the double A-side \"Holler\"/\"Let Love Lead the Way\", became the group's ninth number one single in the UK. However the song failed to break onto the Billboard Hot 100 singles chart stateside, instead peaking at number seven on the Bubbling Under Hot 100 Singles. \"Holler\" did peak at number thirty-one on the Hot Dance Music/Club Play chart in 2000. The only major performance of the lead single came at the MTV Europe Music Awards on 16 November 2000. In total, Forever achieved only a fraction of the success of its two best-selling predecessors, selling five million copies. In December 2000, the group unofficially announced that they were beginning an indefinite hiatus and would be concentrating on their solo careers in regards to their foreseeable future, although they pointed out that the group was not splitting. CANNOTANSWER", "question": "question1: What is the Hiatus?\n answer : ?\nquestion2: what happened in 1998?\n answer : ?\nquestion3: tribute to what?\n answer : ?\nquestion4: what else happened prior to Hiatus?\n answer : ?\nquestion5: what did they win?\n answer : ?\nquestion6: Any other awards or recognition?\n answer : ?\nquestion7: What else happened during this time?\n answer : ?\nquestion8: Anything you find interesting about this article?\n answer : ?\nquestion9: What was the third album called?\n answer : ?\nquestion10: Anything notable about it?\n answer : ?\nquestion11: Why did they decide to take a hiatus?\n answer : ?", "answer": "possible answers for question1:\nIn December 2000, the group unofficially announced that they were beginning an indefinite hiatus\npossible answers for question2:\nreleased a new song, \"Goodbye\", before Christmas in 1998. The song was seen as a tribute to\npossible answers for question3:\nto Geri Halliwell,\npossible answers for question4:\nLater in 1998, Bunton and Chisholm appeared at the 1998 MTV Europe Music Awards without their other band members, and the group won\npossible answers for question5:\n\"Best Pop Act\" and \"Best Group\"\npossible answers for question6:\nat the 2000 Brit Awards, where they received a Lifetime Achievement Award.\npossible answers for question7:\nIn late 1998, Brown and Adams announced they were both pregnant;\npossible answers for question8:\nThe Spice Girls returned to the studio in August 1999, after an eight-month recording break to start work on their third and last\npossible answers for question9:\n\"Holler\"/\"Let Love Lead the Way\npossible answers for question10:\nachieved only a fraction of the success of its two best-selling predecessors, selling five million copies.\npossible answers for question11:\nIn December 2000, the group unofficially announced that they were beginning an indefinite hiatus and would be concentrating on their solo careers"}
{"passage": "Auchinleck attended the Staff College, Quetta between 1920 and 1921. He married Jessie Stewart in 1921. Jessie had been born in 1900 in Tacoma, Washington, to Alexander Stewart, head of the Blue Funnel Line that plied the west coast of the United States. When he died about 1919, their mother took her, her twin brother Alan and her younger brother Hepburne back to Bun Rannoch, the family estate at Innerhadden in Perthshire. Holidaying at Grasse on the French Riviera, Auchinleck, who was on leave from India at the time, met Jessie on the tennis courts. She was a high-spirited, blue-eyed beauty. Things moved quickly, and they were married within five months. Sixteen years younger than Auchinleck, Jessie became known as 'the little American girl' in India, but adapted readily to life there.  Auchinleck became temporary Deputy Assistant Quartermaster-General at Army Headquarters in February 1923 and then second-in-command of his regiment, which in the 1923 reorganisation of the Indian Army had become the 1st battalion, 1st Punjab Regiment, in September 1925. He attended the Imperial Defence College in 1927 and, having been promoted to lieutenant-colonel on 21 January 1929 he was appointed to command his regiment. Promoted to full colonel on 1 February 1930 with seniority from 15 November 1923, he became an instructor at the Staff College, Quetta in February 1930 where he remained until April 1933. He was promoted to temporary brigadier on 1 July 1933 and given command of the Peshawar Brigade, which was active in the pacification of the adjacent tribal areas during the Mohmand and Bajaur Operations between July and October 1933: during his period of command he was mentioned in despatches. He led a second punitive expedition during the Second Mohmand Campaign in August 1935 for which he was again mentioned in despatches, promoted to Major-General on 30 November 1935 and appointed a Companion of the Order of the Star of India on 8 May 1936.  On leaving his brigade command in April 1936 Auchinleck was on the unemployed list (on half pay) until September 1936 when he was appointed Deputy Chief of the General Staff and Director of Staff Duties in Delhi. He was then appointed to command the Meerut District in India in July 1938. In 1938 Auchinleck was appointed to chair a committee to consider the modernisation, composition and re-equipment of the British Indian Army: the committee's recommendations formed the basis of the 1939 Chatfield Report which outlined the transformation of the Indian Army - it grew from 183,000 in 1939 to over 2,250,000 men by the end of the war. CANNOTANSWER", "question": "question1: What did Claude do between the world wars?\n answer : ?\nquestion2: What did he go to school for?\n answer : ?\nquestion3: Are there any other interesting aspects about this article?\n answer : ?\nquestion4: Who appointed him?\n answer : ?", "answer": "possible answers for question1:\nAuchinleck attended the Staff College, Quetta between 1920 and 1921.\npossible answers for question2:\nCANNOTANSWER\npossible answers for question3:\nhe was appointed Deputy Chief of the General Staff and Director of Staff Duties in Delhi.\npossible answers for question4:\nHe was then appointed to command the Meerut District in India in July 1938. In"}
{"passage": "Auchinleck continued as Commander-in-Chief of the Indian Army after the end of the war helping, though much against his own convictions, to prepare the future Indian and Pakistani armies for the Partition of India: in November 1945 he was forced to commute the more serious judicial sentences awarded against officers of the Indian National Army in face of growing unease and unrest both within the Indian population, and the British Indian Army. On 1 June 1946 he was promoted to field marshal, but he refused to accept a peerage, lest he be thought associated with a policy (i.e. Partition) that he thought fundamentally dishonourable.  Sending a report to British Government on 28 September 1947 Auchinleck wrote: \"I have no hesitation, whatever, in affirming that the present Indian Cabinet are implacably determined to do all in their power to prevent the establishment of the Dominion of Pakistan on firm basis.\" He stated in the second, political part of his assessment, \"Since 15th August, the situation has steadily deteriorated and the Indian leaders, cabinet ministers, civil officials and others have persistently tried to obstruct the work of partition of the armed forces.\"  When partition was effected in August 1947, Auchinleck was appointed Supreme Commander of all British forces remaining in India and Pakistan and remained in this role until the winding up and closure of the Supreme H.Q. at the end of November 1948. This marked his effective retirement from the army (although technically field marshals in the British Army never retire, remaining on the active list on half pay). He left India on 1 December.  After a brief period in Italy in connection with an unsuccessful business project, Auchinleck retired to London, where he occupied himself with a number of charitable and business interests and became a respectably skilled watercolour painter. In 1960 he settled in Beccles in the county of Suffolk, remaining there for seven years until, at the age of eighty-four, he decided to emigrate and set up home in Marrakesh, where he died on 23 March 1981. CANNOTANSWER", "question": "question1: What did Auchinleck do during his later years?\n answer : ?\nquestion2: How long did he do this?\n answer : ?\nquestion3: What else did he do?\n answer : ?\nquestion4: What else is significant about the partition of india?\n answer : ?", "answer": "possible answers for question1:\nAuchinleck continued as Commander-in-Chief of the Indian Army after the end of the war\npossible answers for question2:\nCANNOTANSWER\npossible answers for question3:\nin November 1945 he was forced to commute the more serious judicial sentences awarded against officers of the Indian National Army in face of growing unease and unrest\npossible answers for question4:\nWhen partition was effected in August 1947, Auchinleck was appointed Supreme Commander of all British forces remaining in India and Pakistan"}
{"passage": "Bennett was born Michael Bennett DiFiglia in Buffalo, New York, the son of Helen (nee Ternoff), a secretary, and Salvatore Joseph DiFiglia, a factory worker. His father was Roman Catholic and Italian American and his mother was Jewish. He studied dance and choreography in his teens and staged a number of shows in his local high school before dropping out to accept the role of Baby John in the US and European tours of West Side Story.  Bennett's career as a Broadway dancer began in the 1961 Betty Comden-Adolph Green-Jule Styne musical Subways Are for Sleeping, after which he appeared in Meredith Willson's Here's Love and the short-lived Bajour. In the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo, where he met fellow dancer Donna McKechnie.  Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances, and in 1967 followed it with another failure, Henry, Sweet Henry (based on the Peter Sellers film The World of Henry Orient). Success finally arrived in 1968, when he choreographed the hit musical Promises, Promises on Broadway. With a contemporary pop score by Burt Bacharach and Hal David, a wisecracking book by Neil Simon and Bennett's well-received production numbers, including \"Turkey Lurkey Time\", the show ran for 1,281 performances. Over the next few years, he earned praise for his work on the straight play Twigs with Sada Thompson and the musical Coco with Katharine Hepburn. These were followed by two Stephen Sondheim productions, Company and Follies co-directed with Hal Prince.  In 1973, Bennett was asked by producers Joseph Kipness and Larry Kasha to take over the ailing Cy Coleman-Dorothy Fields musical Seesaw. In replacing the director Ed Sherin and choreographer Grover Dale, he asked for absolute control over the production as director and choreographer and received credit as \"having written, directed, and choreographed\" the show. CANNOTANSWER", "question": "question1: Where was Bennett born?\n answer : ?\nquestion2: When  was he born?\n answer : ?\nquestion3: Who are his parents?\n answer : ?\nquestion4: when did his career begin?\n answer : ?\nquestion5: what was the play?\n answer : ?\nquestion6: What show did he begin his career?\n answer : ?\nquestion7: what was his role in the plays?\n answer : ?\nquestion8: Did he ever choreograph ?\n answer : ?\nquestion9: was any of his work a success?\n answer : ?", "answer": "possible answers for question1:\nBennett was born Michael Bennett DiFiglia in Buffalo, New York,\npossible answers for question2:\nCANNOTANSWER\npossible answers for question3:\nthe son of Helen (nee Ternoff), a secretary, and Salvatore Joseph DiFiglia, a factory worker.\npossible answers for question4:\nBennett's career as a Broadway dancer began in the 1961 Betty Comden-Adolph Green-Jule Styne musical Subways Are for Sleeping,\npossible answers for question5:\nCANNOTANSWER\npossible answers for question6:\nhe appeared in Meredith Willson's Here's Love and the short-lived Bajour.\npossible answers for question7:\nIn the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo, where he met fellow dancer Donna McKechnie.\npossible answers for question8:\nBennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances,\npossible answers for question9:\nIn 1973, Bennett was asked by producers Joseph Kipness and Larry Kasha to take over the ailing Cy Coleman-Dorothy Fields musical Seesaw."}
{"passage": "While still starring in The Drew Carey Show, Carey began hosting the American version of the improvisational comedy show Whose Line Is It Anyway? in 1998. He would announce the improv guests, direct the games, and then would usually involve himself in the final game of the episode. The show ran for a total of 220 episodes until the show's cancellation in 2006. In 1998, the New York Friars' Club made Carey the newest inductee of the group's Comedy Central Roast. His friend Ryan Stiles (who costarred in The Drew Carey Show and Whose Line Is It Anyway?) served as the roastmaster. Carey's income from Whose Line Is It Anyway? and The Drew Carey Show led to his inclusion on the Forbes list of highest-paid entertainers of 1998, at 24th with $45.5 million.  For the WB's 2004-2005 prime time schedule, Carey co-produced and starred in Drew Carey's Green Screen Show, a spin-off of Whose Line Is It Anyway?. It was canceled by the WB, but picked up shortly afterward by Comedy Central. The show's premise relied on the use of a green screen for all of the actors' improv interactions. Animation on the screen was inserted during post-production.  In April 2011, Carey began hosting a primetime improv show, called Drew Carey's Improv-A-Ganza. It was filmed at the MGM Grand in Las Vegas, Nevada, and first aired on April 11. The show took on the premise of Whose Line? and Drew Carey's Green Screen Show in that it features many of the same performers from both shows and did improv based on audience-provided suggestions.  Carey is an outspoken libertarian. He has expressed his political philosophy in the following terms: \"I believe the answers to all the problems we face as a society won't come from Washington, it will come from us. So the way we decide to live our lives and our decisions about what we buy or don't buy are much more important than who we vote for.\"  Carey expressed his distaste for the Bush administration's management of the Iraq War, specifically on the September 14, 2007, episode of Real Time with Bill Maher. He made donations to Ron Paul's presidential campaign for the 2008 election. On the September 26, 2008, episode of The Late Late Show with Craig Ferguson, Carey defined \"libertarian\" to host Craig Ferguson as \"a conservative who still gets high.\" In 2016, he supported Libertarian Party presidential candidate Gary Johnson in his run for office, and was made an Honorary Chair of the campaign for California.  Carey has spoken about his various political beliefs in several interviews, and in 1998, he led a \"smoke-in\" in defiance of California's newly passed no-smoking ordinance inside bars and restaurants. Carey has hosted a series of mini-documentaries called The Drew Carey Project on Reason.tv, an online project of Reason Foundation, a libertarian-oriented nonprofit think tank (for which Carey sits as a member of the board of trustees). The first episode, \"Gridlock\", addresses private highway ownership and was released on October 15, 2007. Other episodes discuss topics such as eminent domain, urban traffic congestion, and medical marijuana.  Carey is a devoted fan of the U.S. National Soccer Team, Cleveland Browns, Cleveland Cavaliers, Cleveland Indians, and the Columbus Blue Jackets. In 1999, Carey was part of the pregame ceremonies at the first game of the return of the Cleveland Browns, televised on ESPN. Carey attended the 2006 FIFA World Cup in Germany and the 2010 FIFA World Cup in South Africa. Carey is a minority owner of the Seattle Sounders FC, who began play in Major League Soccer on March 19, 2009, and won the 2016 MLS Cup. Carey is a fan of FC Barcelona and of the Scottish team Rangers. In 2006, he was a season ticketholder for the Los Angeles Galaxy.  Carey has shown his support for the Indians by throwing the first pitch at an August 12, 2006, game against the Kansas City Royals. He was rewarded by the Cleveland Indians for being \"the greatest Indians fan alive\" with a personal bobblehead doll made in his likeness that was given to fans. Carey responded to his bobblehead likeness by saying \"Bobblehead Day, for me, is as big as getting a star in the Hollywood Walk of Fame.\"  In 2001, Carey was the first television actor to enter World Wrestling Federation's 30-man \"Royal Rumble\" match, which he did to promote an improv comedy pay-per-view at the time. He appeared in a few backstage segments before his brief participation in the match. Upon entering the ring, Carey stood unopposed for more than half a minute, but after the next entrant, Kane, refused a monetary bribe, Carey eliminated himself from the match by jumping over the top rope and retreating from ringside. On April 2, 2011, Carey was inducted into the WWE Hall of Fame by Kane.  Carey competed against five other celebrities in the first celebrity edition of the 2003 World Poker Tour. He placed fifth, beating out only actor Jack Black. Carey won $2,000 for his charity.  On May 15, 2011, Carey completed the \"Marine Corps Historic Half Marathon\" in 1:57:02; then, on September 4, 2011, he improved to complete the Disneyland Half Marathon in 1:50:46. And on October 30, 2011, he finished the Marine Corps Marathon with a chip time of 4:37:11, placing 10,149th out of 20,940. CANNOTANSWER", "question": "question1: What sports has Carey been involved in?\n answer : ?\nquestion2: How is the comedy improv television show Whose Line is It Anyway about sports?\n answer : ?\nquestion3: Is there anything in this article actually about his sports involvement?\n answer : ?\nquestion4: Did he win?\n answer : ?\nquestion5: Has he been into any sports outside of poker?\n answer : ?\nquestion6: How did he do in that match?\n answer : ?", "answer": "possible answers for question1:\nWhile still starring in The Drew Carey Show, Carey began hosting the American version of the improvisational comedy show Whose Line Is It Anyway? in 1998.\npossible answers for question2:\nCANNOTANSWER\npossible answers for question3:\nCarey competed against five other celebrities in the first celebrity edition of the 2003 World Poker Tour.\npossible answers for question4:\nHe placed fifth, beating out only actor Jack Black.\npossible answers for question5:\nIn 2001, Carey was the first television actor to enter World Wrestling Federation's 30-man \"Royal Rumble\" match,\npossible answers for question6:\nUpon entering the ring, Carey stood unopposed for more than half a minute, but after the next entrant, Kane, refused a monetary bribe,"}
{"passage": "Carey is a supporter of libraries, crediting them for beginning his successful comedy career. On May 2, 2000, in a celebrity edition of Who Wants to Be a Millionaire, he selected the Ohio Library Foundation to receive his $500,000 winnings. He later went on to win an additional $32,000 on the second celebrity Millionaire, making him one of the biggest winning contestants on Millionaire who did not win the top prize. Carey also has played on the World Poker Tour in the Hollywood Home games for the Cleveland Public Library charity. In June 2007, Carey offered to donate up to $100,000 (in $10,000 increments) to the Mooch Myernick Memorial Fund if anybody could beat him at the video game FIFA Soccer 07 for the Xbox 360. He dared five players from both the U.S. Men's and Women's National Teams to compete against him. Carey ended up donating $100,000, plus $60,000 for losing two games out of the six games he played.  In October 2009, Carey made a bid of $25,000 in a charity auction for the @drew Twitter account. He later increased his offer to $100,000 if the number of followers of his account @DrewFromTV reached 100,000 by the end of the auction. In an interview with CBS News, he said he would instead donate $1 million to the charity Livestrong Foundation if his follower count reached one million by December 31, 2009.  Another of Carey's offers to contribute in helping others came in September 2014 when he promised $10,000 to help find the perpetrators of a faked \"ice bucket challenge\" involving an autistic 14-year-old Ohio boy who, instead of being doused in ice cubes and water, received a shower of feces, urine, spit and cigarette butts. Shortly thereafter, celebrities Donnie Wahlberg, Jenny McCarthy and Montel Williams matched Carey's offer. CANNOTANSWER", "question": "question1: Can you give me some important information regarding Philanthropy?\n answer : ?\nquestion2: When did his career begin regarding philanthropy?\n answer : ?\nquestion3: Are there any other interesting aspects about this article?\n answer : ?\nquestion4: Did he ever give the $10,000?\n answer : ?\nquestion5: Is there anything else interesting about about his comedy career?\n answer : ?", "answer": "possible answers for question1:\nCarey is a supporter of libraries, crediting them for beginning his successful comedy career.\npossible answers for question2:\nCANNOTANSWER\npossible answers for question3:\nAnother of Carey's offers to contribute in helping others came in September 2014 when he promised $10,000 to help find the perpetrators of a faked \"ice bucket challenge\"\npossible answers for question4:\nCANNOTANSWER\npossible answers for question5:\nin a celebrity edition of Who Wants to Be a Millionaire, he selected the Ohio Library Foundation to receive his $500,000 winnings."}
{"passage": "By joining the Rockies, he was given new life for his career. In a 1993 season full of remarkable individual achievements, Galarraga showed he was an accomplished hitter, and flirted with the .400 mark for much of the season. His final .370 BA was a 127-point increase over his previous year mark. He led National League batters in batting average, and it was the highest average by a right-handed hitter since Joe DiMaggio batted .381 in 1939.  Despite missing 42 games with assorted injuries, The Big Cat compiled 56 multi-hit games to lead the league. He added 22 homers, 98 RBI, 71 runs, 35 doubles, four triples, a .403 on-base percentage, and his .602 slugging percentage was second in the league. His .370 mark was the first player on an expansion team as well as the first Venezuelan to win a batting title. Tony Gwynn hit .358 to finish as runner-up in the title race.  Galarraga's improvement began when Baylor drastically opened up his stance to make him quicker on inside pitches. The new stance also helped Galarraga generate more power to the opposite field. At the same time, facing the pitcher with two eyes gave him a better view at pitches, lowering his strikeout rate and making him much more consistent at the plate with better contact. Galarraga finished 10th in the MVP selection, but won The Sporting News Comeback Player of the Year Award. After the season, and for third time, he underwent arthroscopic knee surgery.  In the strike shortened 1994 season, Galarraga set a new National League record in April by driving in 30 runs in a month. He seemed to be on his way to a terrific year again, but he fractured his right hand on July 28. At the time of his injury, Colorado had climbed to within a half-game of the first place Dodgers. Without him however, the Rockies went 3-10 the rest of the way. Galarraga paced the club with 31 homers (fifth in the league), and batted .319 with 85 RBI.  On June 25, 1995, Galarraga hit a home run in three consecutive innings to tie an MLB record. He finished the season hitting .280, with 31 homers and 106 RBI. His numbers were helped by the fact that he stayed healthy for the first time in four years. That season, the Rockies had four players with 30 or more home runs, matching the 1977 Dodgers. On August 29 of the same season, in a game against the Pittsburgh Pirates, Galarraga spoiled Paul Wagner's bid for a no-hitter by singling with two out in the ninth, the only hit Wagner would allow in defeating the Rockies 4-0. Over the next few seasons, Galarraga developed into one of the best RBI-men in baseball, driving in a combined 396 runs between 1996 and 1998 (150, 140, 121). In the same period, he batted .279, .303 and .318, with 31, 47, and 41 HRs. Some critics argued that his achievements were possible thanks to the thin-air, mile-high, hitter-friendly Coors Field, but Galarraga belted many homers on the road that traveled over 450 feet (140 m). CANNOTANSWER", "question": "question1: when did he become national league batting champion?\n answer : ?\nquestion2: did he set any other records?\n answer : ?\nquestion3: what were some of his injuries?\n answer : ?\nquestion4: who did he play for?\n answer : ?\nquestion5: Are there any other interesting aspects about this article?\n answer : ?\nquestion6: did he retire?\n answer : ?\nquestion7: what happened after becoming national league campion?\n answer : ?", "answer": "possible answers for question1:\nHe led National League batters in batting average, and it was the highest average by a right-handed hitter since Joe DiMaggio batted .381 in 1939.\npossible answers for question2:\nDespite missing 42 games with assorted injuries, The Big Cat compiled 56 multi-hit games to lead the league.\npossible answers for question3:\nassorted injuries,\npossible answers for question4:\nRockies\npossible answers for question5:\nOn June 25, 1995, Galarraga hit a home run in three consecutive innings to tie an MLB record.\npossible answers for question6:\nSome critics argued that his achievements were possible thanks to the thin-air, mile-high, hitter-friendly Coors Field, but Galarraga belted many homers on the road\npossible answers for question7:\nGalarraga paced the club with 31 homers (fifth in the league), and batted .319 with 85 RBI."}